Archive for the ‘conferences’ Category

Big Bang Data at Somerset House in London, other exhibitions and interviews, and 5 million + cats!

Wednesday, December 2nd, 2015

I Know Where Your Cat Lives will be featured at the new exhibition, Big Bang Data, opening today at Somerset House in London. This is a traveling exhibition curated by Olga Subirós and José Luis de Vicente.

image001

Emails, selfies, shopping transactions, Google searches, dating profiles: every day we’re producing data in huge quantities. Our online activity, alongside that of businesses and governments, has led to a massive explosion – a ‘Big Bang’ – of data.

This radical shift in the volume, variety and speed of data being produced, combined with new techniques for storage, access, and analysis, is what defines the proliferation of data. It is radically reshaping our world and is set to revolutionise everything we do.

Data today gives us new ways of doing things: from scientific research to business strategy, politics to social interaction, our new data-driven society that has the potential to be more fair, stable, and efficient and yet it also created a tools for unprecedented mass surveillance and commodification. Data access and usage rights, along with the value they comprise, are at the heart of many concerns.

Big Bang Data explores the issues surrounding the datafication of our world through the work of artists, designers, journalists and visionaries. As the data explosion accelerates, we ask if we really understand our relationship with data, and explore the meaning and implications of data for our future.

sustainability

The exhibition, which runs Dec 3, 2015—Feb 28, 2016, includes over 50 works by artists, designers and innovators, comprising also a number of authors I’ve long admired like:
Brendan Dawes, Charles Joseph Minard, David McCandless, Ellie Harrison, Eric Fischer, Erica Scourti, Eva and Franco Mattes, Fight for the Future and Demand Progress, Florence Nightingale, Forensic Architecture, Future Cities Catapult, Heather Dewey-Hagborg, Horst Ademeit, IF, Ingo Günther, Ingrid Burrington and Dan Williams, Interaction Research Studio, Goldsmiths, ITO World, Jaime Serra, James Bridle, John Snow, Jonathan Harris, Jonathan Minard, Julian Oliver, Julie Freeman, Kamel Makhloufi, Kiln, Laura Poitras, Lev Manovich and Moritz Stefaner, Lisa Jevbratt, Lise Autogena and Josh Portway, mySociety, Nesta, Nicholas Felton, Open Knowledge, OpenCorporates, Owen Mundy, Paolo Cirio and Alessandro Ludovico, Philipp Adrian, Rafael Lozano Hemmer, Ryoji Ikeda, Safecast, Stefanie Posavec and Giorgia Lupi, Tekja, TeleGeography, The Guardian, The Long Now Foundation, Thomson and Craighead, Timo Arnall, Umbrellium, William Elford, and Zach Blas

Some press is emerging already and I’ll add more images as the show opens:

Meanwhile time for a…

2015 Update on IKWYCL

Just over a year ago I launched I Know Where Your Cat Lives and it immediately went viral. I’m gracious for all the positive attention the project has received, and even more so for the reach it generated. In addition to a notable influence on research and dialogue around metadata security, the impact for individuals has been significant. Over 25% of owners of cat photos from the original sample have removed or increased privacy on their images and, even more noteworthy, nearly 60% of users have chosen to leave their photos public but have manually removed their location data from the images they shared, underlining the importance of this project to experts in the field, as well as everyone who uses social media.

Screen Shot 2015-12-03 at 1.00.30 AM

Since then I’ve found time to evaluate the project’s impact and begin to work on the conclusion. The site I shared was only a prototype, containing just one million images from the at least 15 million tagged with #cat on social media. Thanks to everyone at FSU’s Research Computing Center, and to support from Dr. Ostrander at the FSU Office of Research, I’ve made great progress in collecting and visualizing the millions of images that users have unknowingly uploaded with geolocation data. With this exhibition at Somerset House I’m uploading another large dataset to bring the total number of cats to just under 5.4 million!

Screen Shot 2014-10-29 at 4.30.31 PM

The final project will include expanding the data set to run in real time, as well as a mobile app called “Like Tinder for Cats,” and a book project which contextualizes and documents the research, the technology I developed, and most importantly, the impact of this ephemeral web-based work on industry, academia, and culture. I’m also thankful for the opportunity to work with my longtime colleague and amazing writer, Shana Berger, on the writing for the project, the first essay of which is currently under review.

Highlights from the last year

The IKWYCL prototype website has already received press in Motherboard/Vice Magazine, The New York Times, Time Magazine, The Atlantic, Wired Magazine, MSNBC, NPR, and many others. It has been featured in several international exhibitions including the Tempo Documentary Festival in Stockholm, Sweden, and numerous others like:

doclabsamples

I Know Where Your Cat Lives was nominated for a 2014 IDFA DocLab Award for Best Digital Storytelling at the International Documentary Film Association (IDFA) Festival. While ultimately the amazing Serial podcast took the prize, I was thrilled to be nominated among many great interactive documentary works including Miranda July’s conceptual app Somebody. Read more about IDFA DocLab in this review on We Make Money Not Art.

I was also excited to take part in the festival, not only as a presenter, but a mystery guest on the evening of my talk. Previously I had shared a selection of my Google searches with a team of experts who led a quiz style analysis of my search history, complete with an artist who did a rendering of what my family looked like according to my searches, and a chef who prepared food for the audience based on what my data revealed.

That same month found me giving a presentation on my work during the L2 Forum at the Morgan Library in New York City.

lisa salon

While in NYC I also spoke at the LISA (Leaders in Software and Art) Salon at Postmasters Gallery

Screen Shot 2015-12-03 at 9.06.29 AM

In May 2015 it was featured among works by Trevor Paglen and Jason Salavon in the exhibition Art In The Age Of… Planetary Computation, at the Witte de With Center for Contemporary Art in Rotterdam curated by Adam Kleinman. This was followed by an exhibit on interactive storytelling and the future of digital media at the Polish National Audiovisual Institute (NInA) in Warsaw curated by Anna Desponds.

Finally, I was very honored to be interviewed this summer for two separate European journalism projects around the cultural impact of technology.

Silvia Font published an extensive discussion which included many of my previous works for El Diario. The interview, Las fotos de tu gato en internet ponen en jaque tu privacidad (in Spanish), was part of a series that included interviews with Laura Poitras and Jacob Appelbaum.

touslesinternets

And, Charles-Henry Groult interviewed me for an ARTE web special about people shaping the culture and politics of the internet. The interview is in English but the interface elements are only in French and German

The dialog with these professionals was really gratifying. I’m so glad to have created something that is so thought-provoking, has proven impact, and yet is extremely fun to use. Thanks to everyone for the support :-)

Owen Mundy on Arte

Creativity and Technology Symposium (C.A.T.S.) at NCSU

Sunday, October 25th, 2015

This week I’m presenting at the Creativity and Technology Symposium hosted by the North Carolina State University Libraries.

Using our feline friends as a theme, we will explore a variety of topics that relate to the ever-expanding and complex work of libraries and academic institutions including: GIS-data enabled location tracking and the implications for privacy rights; the use of social media in research; how new technologies are expanding the possibilities for data gathering; and digital archiving as it relates to common computer usage and pop culture. Plus, we have a few special guests who will be paying a not-to-be-missed visit to the Libraries. All C.A.T.S. events are free and open to the public.

Track Your Cat
Researchers from NC State and the North Carolina Museum of Natural Sciences
Oct 25, 2015, 3:00–4:00 PM
At the Cameron Village Regional Library
Image Macros, Memes, and Viral Content
Amanda Brennan, Tumblr
Oct 26, 2015, 3:00–4:00 PM
At the Auditorium (Hill), D. H. Hill Library
A Life-Changing Cat
Mike Bridavsky and Lil BUB
Oct 26, 2015, 7:00–8:00 PM
At the Auditorium (Hunt), James B. Hunt Jr. Library
Animals, Technology, and Us: How the Internet is Affecting Participatory Science
A panel discussion with Dr. Rob Dunn, associate professor of biological sciences at NC State, Amanda Brennan of Tumblr, and Professor Owen Mundy of Florida State
Oct 27, 2015, 7:00–8:00 PM
At the Auditorium (Hunt), James B. Hunt Jr. Library
Using Technology to Measure Pain in Animals
Oct 28, 2015, 7:00–8:00 PM
At the South Theater (College of VM), Veterinary Medicine Library, College of Veterinary Medicine; 1060 William Moore Drive, Main CVM Administration entrance, South Theatre

UPDATE: C.A.T.S. was a success, AND I met the famous Lil Bub!

IMG_5054

Beautiful Data II @ Metalab at Harvard University

Tuesday, August 4th, 2015

This month found me at the excellent Beautiful Data II workshop at the MetaLab at Harvard University sponsored by the Getty Foundation. Participants worked together in the Carpenter Center and Harvard Art Museum under the theme “Telling Stories About Art with Open Collections.”

Screen Shot 2015-08-01 at 7.03.00 PM

There were presentations by known visualization and museums experts, breakout sessions exploring how to represent problem data and collections, and talks by participants and Metalab staff and fellows, including a wonderful group of artists, curators, designers, and scholars in attendance.

Here are a few of the many highlights starting with this nerdy shot of me…
P1030056

P1000822
Data Therapy workshop with Rahul Bhargava (slides1, slides2).

Screen Shot 2015-08-04 at 8.18.09 PM
Learning about provenance at the Harvard Art Museum (note stamp declaring Nazi property)

This spanking cat statuette from the Cooper Hewitt collection.
Colour Lens produced at Beautiful Data I.
Presentation by Seb Chan Director of Digital at Cooper Hewitt.
Memory Slam by Nick Montfort.
Meow Met Chrome extension shows cats from the Met Museum in new tabs.

IMG_3966
Behind the scenes of Ivan Sigal‘s Karachi Circular Railway, Harvard Art Museum Lightbox.

The Life and Death of Data by Yanni Loukissas.
Ben Rubin discussing his and works by Mario Klingemann, Ryoji Ikeda, Jer Thorp and others.
William James Twitter Bot by Rachel Boyce.


Cold Storage documentary by Jeffrey Schnapp, Cristoforo Magliozzi, Matthew Battles, et al.

Cooper Hewitt Font Specimen
Cooper Hewitt typeface by Chester Jenkins


“Unicode” by Jörg Piringer shows all 49571 displayable characters in the unicode range.

*Most photos by Metalab staff

“Data and Site: Visualizing Indexicality” lecture @ Florida State

Thursday, April 17th, 2014

Screen-Shot-2014-03-27-at-1.43.23-PM_cropped

I am giving a lecture on my research tomorrow at a Florida State Department of Geography colloquium. I’ll be addressing artistic and cultural works that make use of data visualization and various forms of mapping to critique or engage issues surrounding data privacy, militarism, and surveillance. I will be giving a preview of a new web-based project involving mapping and cats. I will also talk about Representing Place, the collaborative graduate seminar I co-taught with Prof. Phil Steinberg in Geography.

“Data and Site: Visualizing Indexicality”
Owen Mundy, Assistant Professor in Art
Friday April 18, 3:30-4:30pm
DeVoe Moore Conference Center, Bellamy 150-E.

“The Earth Observation Guide” – Post Media Lab notes

Wednesday, January 22nd, 2014

I’m back from Lüneberg, Germany and already missing the simplicity of traveling by train as well as the pleasure of fine wurst. However I had an engaging few days at the Post Media Lab’s Taking Care of Things!. The event began with a keynote by Kelly Dobson from RISD, followed by a tour of Stadtarchive the next morning. Then we broke off into groups to address various topics around archives, art, media, and politics.

I worked in the Measure Drones group with colleagues, Kristian Lukic, Moritz Queisner, Boaz Levin, Daniel Herleth, Adam Kaplan, Frédéric Eyl, and Oliver Lerone Schultz (one of the coordinators of Taking Care of Things along with Christina Kral). Together, over the course of two days, we worked together to conceive, research, write, illustrate, and design a booklet called “The Earth Observation Guide.” This is not a history of art about drones, nor does it try to tackle the whole subject. Rather it is more akin to a time capsule that preserves a moment in time before drones are widespread. It acts as a guidebook, recording what is known about their past and present, illustrating shifts and concerns, and addressing how humans might understand their future. Here are some images of the presented work on the third day:

IMG_5074

IMG_140115_PML+HoL+CDC_Taking-Care-of-Things_Stadtarchiv-Lueneburg_0434-XL

IMG_5070

IMG_140115_PML+HoL+CDC_Taking-Care-of-Things_Stadtarchiv-Lueneburg_0596-XL

 

I also somehow managed to get my mug in the newspaper in Lüneberg. I think it says “American professor launching spy drones in Germany” or some such thing.

IMG_5062

The group examining 16th century drawings of salt mines from the archive.

IMG_5058

Taking Care of Things! Archives, Life-Cycles, Care, Lüneberg, Germany

Monday, January 13th, 2014

Excited to be heading to Lüneberg, Germany, tomorrow for this conference organized jointly by Habits of Living (Brown University, CIS Bangalore) and the Post-Media Lab in conjunction with Stadtarchiv Lüneburg.

TakingCare_poster

January 15-18
Taking Care of Things!
Archives – Life-Cycles – Care
organized by Post-Media Lab/CDC and Habits of Living in cooperation with the Stadtarchiv Lüneburg

Venue: Stadtarchiv Lüneburg, Germany

From the perspective of current theoretical approaches the figure of the archive seems to have lost its central status and its fever. Meanwhile, in our medial and cultural set-up new (kinds of) archives seem to crop up everywhere, accelerated by new means of production and distribution. Cultural repertoires are being remixed alongside technological repositories – often giving new life to almost forgotten relics. Ever more things, valuables, processes, projects, constituencies, even movements, need to be taken care of. It is not only cultural and critical theory that is being challenged, but also law, the natural sciences and design, alongside other applied sciences. But what are the complex dynamics and contexts of these new (non-)archives? Do they really make sense? And if so, by and for whom?

To address these questions, ‘Taking Care of Things!’ focuses on the transformation of things – analog and digital – into life-cycles and specific practices of care. This will be done in different thematic groups dealing with topics, like Mesh Media!, Civil Archaeology, Measure Drones, Unearthing the Archive, Translating Ontologies and Extinction in Context.

This workshop will address such fundamental changes in archiving and objects by generating practices and chances to take care of things. That is, we will seek to extend (or sometimes end) the life-cycle of objects not by simply preserving them (this usually guarantees they will be forgotten), but rather through acts that respond, react, and/or reuse.

‘Taking Care of Things!’ will be based at and operating from the Stadtarchiv Lüneburg, the city’s rich and still to-be-further-explored archive, headed by Danny Kolbe.

‘Taking Care of Things!’ will start Wednesday evening (Jan 15) with a public talk by Kelly Dobson (Brown University) and followed by short introductions by Oliver Lerone Schultz, Nishant Shah and Wendy Chun to set the scene for the following days. Clemens Apprich together with Marcell Mars will then turn the evening into a Public Library, offering the first charge of Post-Media Lab publications as free downloads.

Thursday and Friday (Jan 16-17) will be reserved for intensive exchanges and workshops among the invited participants, all of whom deal very differently and critically with post-medial (non-)archives. There will be the opportunity to interface with the Lüneburg public, assembling archival objects of different kinds. On Saturday (Jan 18) all these activities will culminate in a public presentation and fair under the umbrella of ‘Parliament of Things’ held at the Stadtarchiv.

‘Taking Care of Things!’ will create multiple interweavings not only with the rich repository of the Stadtarchiv, but also with the multiple potentials of existing and new collaborations around the Center for Digital Cultures – possibly starting some repositories that will carry on into a future, where the Post-Media Lab will have been supplanted by other, new life-cycles.​

‘Taking Care of Things!’ is a collaborative event between Habits of Living (Brown University, CIS Bangalore) and the Post-Media Lab in conjunction with Stadtarchiv Lüneburg.
This event will mark the conclusion of the first life-cycle of the Post-Media Lab by bringing together former fellows and new participants.

Among the participants are: Adnan Hadzi and James Steven (DeckspaceTV), Femke Snelting and Michael Murtaugh (Constant/Active Archives), Eric Kuitenberg and David Garcia (Tactical Media Files), Boaz Levin and Daniel Herleth and Adam Kaplan (The Rise of Data), Fabian Giraud and Inigo Wilkins (Glass Bead), Jonathan Kemp and Martin Howse („Stack, Frame, Heap –SFH)”, as well as Memory of the World (Marcell Mars), Mathias Fuchs (Gamification Lab), Cornelia Sollfrank (Giving What You Don´t Have), Hauke Winkler (Freifunk Lüneburg), Robert Ochshorn (InterLace), Tapio Makela (M.A.R.I.N.) [had to cancel bec of illness], Fabrizio Augusto Poltronieri (MaisZero), Rodrigo Novaes (Flusser Archiv/UdK), Owen Mundy, Kristian Lukic (NAPON), Vahida Ramujkic (irational), Volker Grasmuck (CDC/Grundversorgung 2.0), Kilian Froitzhuber (netzpolitik.org), Vincent Normand, Jeremy Lecomte, Ida Soulard, Erich Berger, Connie Mendoza, and more.

Coordination & Care
Christina Kral: christina.kral@inkubator.leuphana.de
Oliver Lerone Schultz: oschultz@leuphana.de

Team
Wendy Chun, Nishant Shah, Clemens Apprich, Josie Berry Slater, Anthony Iles; and Nora Hannemann, Sina Hurnik, Nina Kersten, Ann-Kathrin Wagner, Nicolas Schrape

Military and the Landscape: Revealing and Reflecting panel at CAA 2013 NYC

Monday, February 11th, 2013

Weather permitting, I’ll be in New York this week to attend the College Art Association conference and present on the Military and the Landscape panel on Saturday, Feb 16.

Screen Shot 2013-02-11 at 9.35.52 AM
Top Gun-Behind The Scenes (2001)

Military and the Landscape: Revealing and Reflecting
Saturday, February 16, 9:30 AM-12:00 PM
Madison Suite, 2nd Floor
Chair: Ruth A. Dusseault, independent artist

Play War: Homemade Recreational Battlefields
Ruth A. Dusseault, independent artist

Nuclear Weapons and Shrines: Public Weapons in America
Paul Shambroom, University of Minnesota

Omniscience and Contingency: Landscapes of Military Intelligence and Terror Simulation
Steve Rowell, independent artist

Technologies of Vision: The Radical Cartographies of Harun Farocki and Trevor Paglen
Krisin M. Brockman, The Ohio State University

Miniature War in Iraq and Now in Afghanistan
Brian Conley, California College of the Arts

The Military Industrial Marketing Machine: Leveraging the Media Landscape
Owen Mundy, Florida State University

MutaMorphosis: Examining Networks of Power stream today

Friday, December 7th, 2012

I am an “attractor” for a stream of interest at a conference that is happening this weekend in Prague. There are thought-provoking presentations lined-up. Check it out if you are nearby.

Examining Networks of Power
Attractor: Owen Mundy (US)

Addressing the Future: The Tactics of Uncertainty
Attractor: Claudia Westermann (AT)

MutaMorphosis: Tribute To Uncertainty
Saturday, December 8, 2012
13:30-15:30 | Academy 2

Marc Garrett (UK) | Revisiting the Curious World of Art & Hacktivism
Diane Derr (QA) | Morphological Mapping of the Arab Spring through an Ecological Lens
Daphne Dragona (GR) The power of counterpower
Katerina Karoussos (UK) | LUMEN HILARE – The (bio)photonic emission of a church and its metabolism in human consciousness

Owen Mundy: This thread intends to examine representations of contemporary control structures and discuss whether or not an image, particularly network graphs depicting power relationships, information flows, economic activity, etc. have the ability to reverse trends of concentrated power. Does depicting power lead to greater democratization of said power or are we merely creating beautiful images that detract from their original intent—to reveal, examine, and act. To what effect does mapping complex data depicting influential actors, institutions, moments in time, finance systems, mapped onto a two-dimensional surface unravel the power they represent by distributing that power? Methodology: We’ll begin the discussion by looking at historical examples of communication that intend to affect power structures. We’ll examine works by artists and cultural practitioners such as Hans Haacke, Mark Lombardi, Josh On (theyrule.net), Bureau d’études, and more. We’ll consider Manual Castells‘ “Network Theory of Power” within these context(s). Then we’ll discuss visual components of network graphs, asking in particular; what data and
representational forms help make a graph speak to as many people as possible. Finally we’ll work in groups to extend the discussion into possible solutions and various statements and recommendations for such representations.

Claudia Westermann: More than 30 years ago, Michel de Certeau suggested that a shift in methodologies was necessary from strategies that operate on the basis of planning and prediction to tactics that operate on the basis of appropriation. Within this context, competition for the best prediction is substituted for a search for authorities that create the places that give space. This stream of interest with the title ‘Addressing the Future – The Tactics of Uncertainty’ suggests that even though Utopia has not been valued recently, it is nevertheless the actual turn towards the future – this radical uncertainty – that allows for a profound re- questioning of our methodologies. How do the sciences and the arts address the future? Can we speak to it, and in doing so, can we create openings in the present? Methodology: The main intention of this suggested stream of interest is to provide for a ‘good’ start question from which the theme of uncertainty could be addressed in a rather radical way. I am interested in viewpoints from all areas of the sciences and arts. In addition to presentations, there could be conversational panels and workshops. The latter could also be contextualized within the city of Prague. Which inclination this theme takes also depends on the other streams of interest and should be discussed.

PRAGUE | CZECH REPUBLIC | DECEMBER 6-8, 2012 | WWW.MUTAMORPHOSIS.ORG | ORGANIZED BY CIANT | WWW.CIANT.ORG

Project Presentation and Mini-Seminar: Live Project Launch, Workshop Outcomes and Talks on [Social] Media Hacking

Friday, July 27th, 2012

Tonight Tim Schwartz, Walter Langelaar, Birgit Bachler, and I share our new project. The concept has taken a turn from the original plan, but will be exciting nonetheless.

Project Presentation and Mini-Seminar: Live Project Launch, Workshop Outcomes and Talks on [Social] Media Hacking
Friday, July 27, 2012

Tonight we launch the new version of “Give Me My Data!”, a project that together with Artists In Residence Tim C. Schwartz and Owen Mundy was revised and revived in WORM’s moddr_lab.

Give Me My Data offers functionality to its users with which they can retrieve and backup data and files from several key social networks; partly designed as a backup tool moreover targeted at networks that completely lack these functions.

Besides launching the project and am in-depth presentation by the artists, Walter Langelaar of WORM will give an introduction and overview of similar (art)works and earlier projects that came out of WORMs studios like the “Web2.0 Suicide Machine”.

Further more we’ll have presentations of current and ongoing projects from the lab, like Birgit Bachler’s ‘online social gardening’ platform “Talk To The Plant”, the Force of Freedom (Roel Roscam Abbing and Micha Prinsen) present “partsba.se”, and Geert Lovink talks about the “Unlike Us” initiative. The last addition to tonights programme is a presentation by Greenhost.nl on their very excellent RePress project; a WordPress plugin that automagically converts your site to a proxy-server countering censorship on the internet!

In conclusion there will be an open Q&A and panel discussion moderated by Florian Cramer of Creating010.

Projects & Speakers

Florian Cramer – Creating010
Florian Cramer, is a reader and programme director at the applied research center Creating 010 at Hogeschool Rotterdam, The Netherlands. he is a critical writer on arts, culture and information technology. Recent publications include: Exe.cut(up)able statements: Poetische Kalküle und Phantasmen des selbstausführenden Texts, Wilhelm Fink, 201.

Unlike Us / Geert Lovink
The aim of Unlike Us is to establish a research network of artists, designers, scholars, activists and programmers who work on ‘alternatives in social media’. Through workshops, conferences, online dialogues and publications, Unlike Us intends to both analyze the economic and cultural aspects of dominant social media platforms and to propagate the further development and proliferation of alternative, decentralized social media software.

Tim C. Schwartz – moddr_/WORM Artist in Residence
Tim Schwartz grew up in St. Louis, MO. He received a BA in Physics from Wesleyan University and an MFA in Visual Arts from the University of California, San Diego. In January 2010, he developed a technology to help reunited missing people affected by the earthquake in Haiti and now co-runs an organization dealing with family reunification. Last year Schwartz spent four months traveling the country in a mobile research laboratory investigating what is lost as archives become digital.

Birgit Bachler – moddr_/WORM
Birgit is an Austrian artist living and working in Rotterdam/NL.
She graduated as BA in Information Design / Media & Interactiondesign at the Universityof Applied Sciences in Graz/AT and is a recent graduate of the MA Networked Media at Piet Zwart Institute Rotterdam. She has a background in interactive, audiovisual media and programming. 
Her interests focus on the influence of new media on our everyday lives and the similarities and differences between human and computational behavior.

RePress / Greenhost.nl
“This plugin was made in response to the ongoing limitation of the Open Web. In the dawn of 2012 we found ourselves confronted with a court-ruling blocking the Piratebay.org in the Netherlands. On the other side of the ocean new laws are being discussed to curtail web-freedom even further.”

We zijn pioneer in groene hosting. We ontwikkelden een innovatief energiebesparend hostingplatform waardoor we 70% minder energie gebruiken dan andere hosters. Onze servers staat bij Evoswitch, het meest duurzame datacenter van Nederland.

Owen Mundy – moddr_/WORM Artist in Residence
Owen Mundy is an artist, designer, and programmer who investigates public space and its relationship to data. His artwork highlights inconspicuous trends and offers tools to make hackers out of everyday users. He has an MFA in Visual Art from the University of California, San Diego and is an Assistant Professor of Art at Florida State University.

partsba.se / Force Of Freedom
At partsba.se you can upload, share and download digital designs for real physical products. Partsba.se allows you to share designs of any nature, whether these designs are copyrighted or dangerous. Unlike other websites partsba.se does not claim any rights of your designs once you upload them.In the near future partsba.se will run on a fully secure and anonymous server.

We believe that users should be free to reverse engineer any everyday objects that surround them. Either to improve these objects, customize them, repair them or just to understand them.

The Force Of Freedom is a Rotterdam based collective founded by Micha Prinsen and Roel Roscam Abbing in 2009. Researching ways in which we can relate to things that happen on-line.

Kaarten
De volgende kaarten zijn beschikbaar:
Normaal 
Voorverkoop: € 5.00
Deurverkoop: € 5.00

Locatie
WORM
Boomgaardsstraat 71
3012 XA Rotterdam

Call for Abstracts: MutaMorphosis: Tribute to Uncertainty

Friday, May 25th, 2012

MutaMorphosis: Tribute to Uncertainty conference
December 6-8, 2012, Prague, Czech Republic.

Call for Abstracts
Deadline: July 1, 2012

Examining Networks of Power
By Owen Mundy

This thread intends to examine representations of contemporary control structures and discuss whether or not an image, particularly network graphs depicting power relationships, information flows, economic activity, etc. have the ability to reverse trends of concentrated power. Does depicting power lead to greater democratization of said power or are we merely creating beautiful images that detract from their original intent—to reveal, examine, and act. To what effect does mapping complex data depicting influential actors, institutions, moments in time, finance systems, mapped onto a two-dimensional surface unravel the power they represent by distributing that power?

Methodology: We’ll begin the discussion by looking at historical examples of communication that intend to affect power structures. We’ll examine works by artists and cultural practitioners such as Hans Haacke, Mark Lombardi, Josh On (theyrule.net), Bureau d’études, and more. We’ll consider Manual Castells‘ “Network Theory of Power” within these context(s). Then we’ll discuss visual components of network graphs, asking in particular; what data and representational forms help make a graph speak to as many people as possible. Finally we’ll work in groups to extend the discussion into possible solutions and various statements and recommendations for such representations.

Keywords: Networks; Power; Data; Politics

We invite you to respond to the Tribute to Uncertainty theme and/or to address one of the 21 streams of interest led by 28 conference Attractors.

Do you have something original to say about our world that is increasingly fuzzy, unstable and chaotic? Are you interested in how crisis, uncertainty and complexity can come together in order to question the known as well as predict and/or model yet unknown? Do you want to share projects intrinsically linking domains of scientific, artistic and technological research and creativity that can be introduced as relevant tools for better understanding of our common future?

The aim of this Call for Abstracts is to provide opportunity for community of interdisciplinary practitioners to get engaged in a transformative conversation on mutant futures.

Feel free to address conference Attractors and respond to a specific stream of interest in order to get involved with other interested individuals and collectives in structured collaborative efforts before, during, and hopefully also after the conference. Research groups formed by the Attractors -who serve as the Reviewers- will be expected to elaborate on the general theme Tribute to Uncertainty while turning attention to concrete research objectives as defined by the streams.

The results should be curated panels, roundtables, workshops as well as publications.

For more information about MutaMorphosis conference (planned publications, preparatory committee, partnerships) please visit mutamorphosis.org.