Archive for the ‘exhibitions’ Category

Drones at Home: Phase 1 – Gallery@Calit2

Wednesday, March 7th, 2012

I’m collaborating with The Periscope Project (TPP) on version 2 of their “Drone Ready-Made: Fine Military Detritus” project in conjunction with the Drones at Home exhibition at Calit2 (see below). In the gallery and online, an interface I programmed, “The Drone War Did Not Take Place,” tracks a Predator drone shipping container, found on Craigslist and retrofitted by The Periscope Project as a camping apparatus, as TPP members guide it through the city of San Diego.

Their path will take them from UC San Diego, past various defense contractors and government agencies including The Space and Naval Warfare Systems Command (SPAWAR), to finally rest at TPP’s downtown location. By (re)mapping data from my Camp La Jolla Military Park project, the tracking interface reveals the connections between the physicality of TPP’s laborious gesture, and the economic and political ties between the object they push and the sites and corporations where everyone employed is implicated in the destructive impact of a permanent arms economy.

The interface will be made public during the upcoming three-day performance by The Periscope Project. It will display their location in real-time, along with images from their journey, and a twitter feed displaying news and unfiltered dialog (hashtag: #dronebox) as they treck through “the largest concentration of military facilities and defense industries in the world.”(1)

1. “San Diego Military Economic Impact Study,” San Diego Regional Chamber of Commerce, January 2007, http://www.sddt.com/files/2007_Military_Economic_Impact_Study.pdf

Drones at Home
March 7–September 14, 2012

Drones at Home explores the strange allure of drones and the push for their domestication —by governments, corporations, and everyday citizens.

Phase 1
Opening Reception March 7, 2012 gallery@calit2, 5pm-7pm

Phase 2
Symposium May 11 & 12, 2012 Calit2 Auditorium, 9am-8pm

Phase 3
Opening Reception June 6, 2012 gallery@calit2, 5pm-7pm
Closing Reception September 14, 2012 gallery@calit2, 5pm-7pm

“Home” is understood at multiple scales-at the level of the individual, backyard, community, border region, and homeland. The San Diego region is featured prominently and regional issues are explored as exemplars of global phenomena. The exhibition also departs from any strict interpretation of the form that a drone must take; the project expands on the “unmanned” nature of the drone as symbolic of a larger condition–ecologies where the status of the human is called into question, distributed and embedded in a wider field of shared intelligence.

Drones at Home will be presented in three phases. Phase 1 includes an exhibition; Phase 2 consists of panels and a workshop; and Phase 3, which continues through the summer, will include the creation of new drone projects in collaboration with invited artists and research groups at Calit2. Co-curated by Sheldon Brown, Jordan Crandall, and Ricardo Dominguez, this first phase will feature the work of Matthew Battles, Trevor Paglen, The Periscope Project, Alex Rivera and Angel Nevarez, along with additional work drawn from research in the field.

Matthew Battles is a poet, writer, and co-founder of HiLobrow.com. His forthcoming books include Letter by Letter (W. W. Norton), a sentimental and natural history of writing, and a short story collection, The Sovereignties of Invention (Red Lemonade). He is a research fellow with metaLAB, an academic and creative collaborative devoted to the exploration of technology in the arts and humanities, hosted by Harvard University’s Berkman Center for Internet and Society.

Alex Rivera is a New York based digital media artist and filmmaker. His first feature film, SLEEP DEALER premiered at Sundance 2008, and won two awards, including the Waldo Salt Screenwriting Award. Rivera is a Sundance Fellow and a Rockefeller Fellow. His work, which addresses concerns of the Latino community through a language of humor, satire, and metaphor, has also been screened at The Berlin International Film Festival, New Directors/New Films, The Guggenheim Museum, PBS, Telluride, and other international venues.

Angel Nevarez is an artist, musician, and DJ. He has produced works which investigate contemporary music, dissent, and public fora, and move between the spatial simultaneity of performance and enunciation, reflecting upon the projection of political agency through transmission and song. His interests lie in the formation of mobile, performative, and discursive-based social spaces, along with the re-articulation of communicatory systems within such locales. Nevarez is also a faculty member of MIT’s Art, Culture, and Technology Program.

Trevor Paglen’s work deliberately blurs lines between science, contemporary art, journalism, and other disciplines to construct unfamiliar, yet meticulously researched ways to see and interpret the world around us. Paglen’s visual work has been exhibited at the Metropolitan Museum of Art, New York; The Tate Modern, London; The Walker Arts Center, Minneapolis; The Andy Warhol Museum, Pittsburgh; Institute for Contemporary Art, Philadelphia; The San Francisco Museum of Modern Art; Massachusetts Museum of Contemporary Art, North Adams; the 2008 Taipei Biennial; the Istanbul Biennial 2009, and numerous other solo and group exhibitions.

The Periscope Project is a space and co-operative based in downtown San Diego committed to the transdisciplinary nexus of art, architecture, and regional urban issues. Operating by the efforts of its resident practitioners; Drone Readymade represents the first discreet project (outside of The Periscope Project itself) undertaken collaboratively. The project’s primary authors are James Enos (M.Arch, NSAD, MFA UCSD, Visiting Assistant Professor, FSU), Molly Enos (M.Arch NSAD, AIA), Charles G. Miller (MFA UCSD), Keith Muller, Andrea Ngan, David Kim, Jon Barth, Jason Durr and Jay Ojeda; with key contributions from Jon Zuppan. For Drones at Home, The Periscope Project is collaborating with Owen Mundy (MFA UCSD, Assistant Professor FSU).

All gallery events are FREE and open to the public.
Please RSVP to Trish Stone, Gallery Coordinator, tstone@ucsd.edu
Media Contact: Tiffany Fox, tfox@ucsd.edu

“Google” one-week performance at Transmediale

Tuesday, January 31st, 2012

I am tele-participating in a one-week online performance of Google queries at Transmediale 2012 in Berlin. The project, plainly titled, “Google,” is organized by Johannes P. Osterhoff and will run from Jan 30 to Feb 5, 2012. Each participant edits the search method for their browser search bar so that everything they type in this box, from the personal to the mundane, becomes instantly visible at google-performance.org.

The project (“manifesto” below) makes public what Facebook, Google, and any online search engine, crowdsourcing website, or social network already does by harvesting searches from users, and re-representing that data in a new context. While Google uses these queries to build and sell condensed user demographic data to advertisers, Osterhoff’s project asks, who actually owns your search data?

We shall do an one-week performance piece.

The piece is called “Google” and documents all searches we perform withthe search engine of the same name.

The performance shall take place during transmediale 2012 and shall start on Monday, January 30 and shall end on Sunday, February 5, 2012.

We shall not use undocumented ways to use the search engine Google during this time.

Each of our search queries shall create a web page that is indexed by this search engine and thus makes our searches publicly available as search results for everybody.

 

A Single Composite [vert]

Saturday, October 15th, 2011

Finally finding time to edit documentation from A Single Composite exhibition this summer in Berlin.

A Single Composite is a series of kinetic installations and projection apparatuses that stretch, twist, and loop film strips containing declassified and other found reconnaissance footage. Using reconstituted digital printer chassis, this cinematic enterprise is projected on walls, ceilings, and floors, to form a series of individual moments of surveillance and implied violence.

Keine Z E I T / No TIME

Monday, September 5th, 2011

Through A Glass Darkly will be included in an international exhibition next month in Berlin, Germany.

Keine Z E I T / No TIME
Time phenomena. Phenomena of time.

The fourth international, interdisciplinary and topic centered exhibition of G.A.S-station.

48 Positiones out of science, art and literature.

Erik Andersen (Ger), video – Ewelina Aleksandrowicz, Andrzej Wojtas (UK), video – Elisa Asenbaum (A), video/installation – Thomas Bedürftig (Ger), science – Axel H. Bertram (Ger), video – Hubert Blanz (Ger), video – Thomas Born (Ger), fine art – Udo R. Bruening (Ger), performance – Amandine Crozat (FR), fotografie – Franz Embacher (A), science – Oliver Feigl (Ger), video – Volker Frechen (Ger), audio installation – Peter Funken (Ger), publicist – Bruno Goosse (BE), video – John Greiner (US), literature – Stephan Groß (Ger), video – Marion Habringer, E. Asenbaum (A), installation – Heiko Hecht (Ger), science – Anna Elisa Heine (Ger), literature, lecture – Batya Horn, Edition Splitter (A), literature – Helen Acosta Iglesias (ES), installation, – IMAGO e.V., Anne-Katrein Maschke, Ina Krauß (Ger), fashion, performance – Britta M. Ischka (A), video – Grace Kim (US), video – Ina Krauß (Ger), audio-collage – Renate Krätschmer, Elli Schnitzer (A), installation – Till Kreutzer (Ger), science – Verena Kuni (Ger), webproject, lecture – Anna Maria Kursawe (Ger), painting – Team K.U.SCH. (A), video – Wolfgang Marktl (A), science – Owen Mundy (US), video – Wolfgang Neipl (A), video – Julia Nuss (Ger), fine art – Jerzy Olek (PL), fine art, video – Herbert Pietschmann (A), science – Arnold Reinthaler (A), fine art – Hartmut Rosa (Ger), science – Miriam Schwedt (Ger), fotografie – Christiane Spatt (A), fotoinstallation – Renée Stieger (A), installation – Ralf Tekaat (Ger), drawing – Guichard Thibaud (FR), performance – Tomax (A), installation – Mirko Tzotschew (Ger), fotografie – Burchard Vossmann (Ger), fine art – Gisela Weimann (Ger), literature, reading – Peter Whittenberger (US), video

Vernissage: October 7th 2011 – 7 pm
Exhibition: October 8th 2011 until Februar 4th 2012

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Berlin: Thomas STUCK, Fon: 030 221 609 312 Mov: 0160 995 78 158
mail: info@2gas-station.net

Vienna: Elisa ASENBAUM, Fon: 0043 1 533 56 77
mail: elisa@2gas-station.net

A Single Composite, closing June 23

Monday, June 20th, 2011

Here are some photos from my exhibition at Bauer&Ewald in Neuköln-Berlin. There will be a closing party this Thursday, June 23 at 7:00 pm.

Bauer&Ewald
Lenaustraße 20
12047 Neukölln-Berlin
u8 schönleinstraße, u7/u8 hermannplatz

A Single Composite, May 7–June 24, Bauer&Ewald, Berlin

Wednesday, April 27th, 2011

This week I am installing an ambitious new project in a quaint and friendly space called bauer&ewald located in Kreuzberg / Neuköln (Berlin) opening on May 7 until the end of June. There will be a party on the evening of the opening day. Please come if you are in town.

You can see a video of a small study online here and here.

A Single Composite
Owen Mundy

May 7–June 24

Vernissage (opening): May 7, 19:00+
Finissage (closing): June 23, 19:00+

“Nothing now distinguishes the function of the weapon and the eye; the projectile’s image and the image’s projectile form a single composite.”
—Paul Virilio in “War & Cinema”

A Single Composite is a kinetic installation and multi-projection/viewing apparatus consisting of one 100cm wide film strip stretched, twisted, and looped through multiple spaces by reconstituted digital printer chassis. This cinematic enterprise, a sprawling film through which declassified and other found reconnaissance footage is projected on walls, ceilings, and floors, forms a series of individual moments of surveillance and implied violence.

Bauer&Ewald
Lenaustraße 20
12047 Neukölln-Berlin
u8 schönleinstraße, u7/u8 hermannplatz

http://bauerundewald.com

Öffnungszeiten (open hours):
Mo-Sa ab 18:00, So ab 16:00
jeweils bis spätnachts (until late)

Through A Glass Darkly: Epilogue

Thursday, April 14th, 2011

I am premiering this “Epilogue” for Through A Glass Darkly today in New York at Flux Factory.

Here is an excerpt from the script:

“In my short film, Through A Glass Darkly, I steer the focus away from the narrative, away from the explosions and violence, away from the masculine overload, and towards the serene landscapes where hollywood produces its fictional wars.

Through A Glass Darkly is a remix of landscapes from popular films that depict conflict. The chronological compilation relies on the influence of cinema to access a collective memory of images of war. While peaceful, they are frightening moments in their original context, used to contrast tranquility with chaos, beauty with destruction, and property with the actions that attempt its acquisition. Seen in this form, they remind the viewer that war is violent and chaotic while questioning the idea that conflict is a means to an harmonious end.”

Geographical and Social Landscapes of Conflict, Both Real and Perceived @ Flux Factory, Thursday April 14

Wednesday, April 13th, 2011
If you are in New York this week go see this screening and exhibition curated by Elizabeth Larison at Flux Factory (in Long Island City near PS1). In addition to screening Through A Glass Darkly I will also be premiering a special Epilogue to accompany the film.

Geographical and Social Landscapes of Conflict, Both Real and Perceived:
A Special Flux Thursday

Thursday, April 14
8 pm +

Join us for Flux Thursday, our monthly potluck and salon. Dinner starts at 8, with presentations to follow. As part of The Typhoon Continues and So Do You, we are happy to present Geographical and Social Landscapes of Conflict, Both Real and Perceived, a pair of videos curated by Elizabeth Larison. Through a Glass Darkly, a short film by Owen Mundy, brings together over one hundred of the most popular war films edited into a chronologically correct survey of landscapes of conflict, at least according to Hollywood. Untitled part 2: beauty and the east, a documentary by Jayce Salloum, addresses issues of nationalism and the nation state, alienation, ethno-facism, polarities of time – among others – as described in a series of interviews with individuals from former Yugoslavia.

Owen Mundy, Through a Glass Darkly, 2011

DATAPOLIS Art | Science | Tech Biennale

Thursday, April 7th, 2011
Give Me My Data will be included in the upcoming exhibition curated by Pavel Sedlák at DATAPOLIS Art | Science | Tech Biennale in Prague.

DATAPOLIS
Exhibition of the 5th International Art | Science | Technology Biennale Prague ENTER

DATAPOLIS is a one evening and three days of full-size experiment in art and technology. The exhibition addresses interactions of media technologies, novel visualization practices and urban realities. Exhibiting artists from all over the world discover moods and rhythms of our cities, bodies and planet. They innovatively mash both visible and invisible data that re-present individual and collective lives and actions. Keywords: data, city, communities, mapping, social, geographical, economical, political, sentient, ambient, mobile, ubiquitous, embedded intelligence, architecture, fashion, quantified selves, body & environment monitoring, robotic systems, trash, transport, pollution, open innovation & design.

Exhibition Opening: Thursday, April 14, 2011, 18:00
Exhibition dates: April 15 – April 17, 2011 (Limited version of the exhibition will run until Sunday, April 24, 2011)
Location: National Technical Library (NTK)
Address: Technická 6,160 80 Praha 6 – Dejvice, http://www.techlib.cz/

Curatorr: Pavel Sedlák (CZ)
Co-curator: Andrej Boleslavský (SK/CZ)

ENTER website: http://festival-enter.cz/

Artists in the exhibition:

Alessandro Ludovico, Paolo Cirio (IT): Face to Facebook
Mark Shepard (USA): Sentient City Survival Kit
Mark Shepard (USA): Serendipitor
Varvara Guljajeva (EST) & Mar Canet(ES): The Rhythm Of The City
James George(US), Alexander Porter(US): DepthEditorDebug
Eric Conrad (USA): Palbable City
Eric Conrad (USA): Bark Rubbings
Teresa Almeida (PT/SG): Modes for Urban Moods: Space Dress
Jenny Chowdhury (USA): 802.11 Apparel – Wifi Jacket
MIT SENSEable City Lab (USA): Trash Track
Secret Cooks Club (SG): FoodMatch
Dušan Barok (SK/NL): FaceLeaks
Owen Mundy (USA/DE): Give Me My Data
Jaro Dufek (CZ): Reality Ends Here
Aram Bartholl (DE) & Ivan Floreš (CZ): Dead Drops
Niki Passath (AT): Zoe
Dardex Mort2Faim (FR): Machine 2 Fish
Saša Spačal (SLO): 7K: New Life Form
Marie Polakova (CZ) & Jonathan Cremieux (FI/FR): Mimodek
Scott Hessels (USA/HK) & Gabriel Dunne (USA): Celestial Mechanics
Pedro Cruz (PT): The Morphing City

 

Cross-Disciplinary Productions

Sunday, March 6th, 2011

In recognition of the 50th anniversary of the founding of UCSD, the Division of Arts and Humanities is hosting an exhibition celebrating the artistic identity of the Visual Arts Department, running from March 4 through June 6, 2011. Cross-Disciplinary Productions is curated by Tatiana Sizonenko, a PhD Candidate in Art History. The exhibition will present a survey of works by its founding and long-term faculty, most distinguished alumni, and current MFA students.

The Visual Arts Department was founded on the principle that art production, art theory and criticism, and art history are inter-related practices which together constitute the world or culture of art. This exhibition investigates the various ways that the department’s distinctive commitment to the theoretical framework of art was put into practice and whether this shared philosophy about the theoretical framework of art constitutes a tradition in the contemporary world.

Cross-Disciplinary Productions explores the dynamic interaction between art and society through the distinctive philosophy of the UCSD MFA program. This exhibition is the second in the series for the current academic year focusing on the identity
of Visual Arts Department. The first exhibition mounted in the Fall “The San Diego Effect” centered on the identity of place through works by MFA students at UCSD and San Diego State University that engaged with greater San Diego as a locale. The upcoming exhibition tracks the department’s identity through time as it is revealed by the personal stories and careers of graduated artists.

The exhibition pre-view reception includes a lecture and conversation with artist / critic / theorist Allan Sekula (UCSD/MFA 1974) and historian / critic / curator Moira Roth (Professor at UCSD 1974-85) who will discuss the history of UCSD MFA program and their own work. The pre-opening is scheduled for March 4, 2011 at 2pm in the Visual Arts Facility, performance space. Following the talk there will be an exhibition preview viewing with the curator on March 4 at 4pm in the Literature Building.

The exhibition opens to full viewing on March 11, 2011, with a special guest Jeff Kelley (MFA, UCSD 1985), an art critic, theorist, curator, and educator, currently residing in Oakland. Jeff Kelley will lead an enactment of Allan Kaprow’s “Easy” (1972) with PhD and MFA students (by RSVP). ” Join Jeff Kelley at 5:00 p.m. at the Dean’s Office for a conversation about Allan Kaprow’s performance and opening reception from 5:00 p.m. to 6:00 p.m.

Participating artists:

David Antin, David Avalos, Rebecca Baron, Doris Bittar, Harold Cohen, Joyce Cutler Shaw, Joelle Dietrick, Steve Fagin, Manny Farber, Katie Herzog, Louis Hock, Allan Kaprow, Christopher Kardambikis, Jeff Kelley, Hung Liu, Fred Lonidier, Simone Lueck, Kim MacConnel, Babette Mangolte, Owen Mundy, Ryuta Nakajama, Leslie Nemour, Mark Oliver, Sheryl Oring, Patricia Patterson, Jerome Rothenberg, Italo Scanga, Louis Schmidt, Ernest Silva, Brianna Rigg, Perry Vasquez, Yvonne Venegas, Andrew West, and Minori Yata.

Special thanks go to: Jack and Michele Greenstein, Grant Kester, Susan Smith, Anya Gallaccio, Steve Fagin, Ernest Silva, Joseph Scanga and Italo Scanga Foundation, Joe Yorty, Lara Bullock, Steve Willard, Nancy Mah, B.J. Barclay, and Betty Jones.

March 4, 2011 – June 6, 2011
Hours: M-F, 9am-noon and 1-4pm
On view at the Division of Arts and Humanities Gallery, Literature Building, rooms 410 & 310
A Visual Arts Department Exhibition

For maps and directions visit:
http://dah.ucsd.edu/dean/directions.shtml

For information:
http://dah.ucsd.edu/dean/officeart.shtml