{"id":211,"date":"2009-07-10T07:42:54","date_gmt":"2009-07-10T15:42:54","guid":{"rendered":"http:\/\/owenmundy.com\/blog\/?p=211"},"modified":"2009-07-30T12:58:00","modified_gmt":"2009-07-30T20:58:00","slug":"subversive-correspondence","status":"publish","type":"post","link":"https:\/\/owenmundy.com\/blog\/2009\/07\/subversive-correspondence\/","title":{"rendered":"Subversive Correspondence"},"content":{"rendered":"<p><a href=\"https:\/\/owenmundy.com\/blog\/wp-content\/uploads\/2008\/11\/200605_atnight1.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/owenmundy.com\/blog\/wp-content\/uploads\/2008\/11\/200605_atnight1.jpg\" alt=\"The Darkest Hour\" title=\"The Darkest Hour\" width=\"600\" height=\"450\" class=\"alignnone size-full wp-image-14\" srcset=\"https:\/\/owenmundy.com\/blog\/wp-content\/uploads\/2008\/11\/200605_atnight1.jpg 600w, https:\/\/owenmundy.com\/blog\/wp-content\/uploads\/2008\/11\/200605_atnight1-300x225.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><br \/>\nOwen Mundy and Joelle Dietrick, The Darkest Hour is Just Before the Dawn, installation view, York, AL, 2006<\/p>\n<p>A touring exhibition at Broadwalk Arts, Bristol then at The Willesden Gallery, London includes national and international artists and writers exploring the notion of connectivity, correspondence and dialogue entailing a subversive perspective to the theme.<\/p>\n<p><b>Exhibition Details<\/b><\/p>\n<p>Subversive Correspondence #1 Broadwalk Arts, Bristol, BS4 2QU.<br \/>\nMonday 20th July &#8211; Thursday 23rd July 2009<\/p>\n<p>Subversive Correspondence #2<br \/>\nThe Gallery at Willesden Green, 95 High Road, Willesden, London, NW10 2SF.<br \/>\nWednesday 19th August- Wednesday 2nd September 2009<br \/>\nPrivate View 19th August 6-9pm<\/p>\n<p>Curator: Diana Ali<\/p>\n<p><b>Concept<\/b><\/p>\n<p>The interpretations encounter political statements or disperse cultural observations; correspondence that is not immediate but perhaps depends on the contingencies of travel. Subversive systems of posting and collecting dialogue create the emergence of new narratives that are shared and reacted upon through hybrid texts, images and temporary ownership. Show cased as a touring exhibition at Broadwalk Arts, Bristol then at The Willesden Gallery, London, the works continue to explore language, visual interchange and systematic dialogues.<\/p>\n<p>Alice Bradshaw<br \/>\nAman Tadevosyan<br \/>\nColin Andrews<br \/>\nGuy Bigland<br \/>\nJacqueline Bradley<br \/>\nJohannes Gerard<br \/>\nKatie Watters<br \/>\nKevin Timmins<br \/>\nLouise Tett<br \/>\nMary Elizabeth Hubbard<br \/>\nMary Rachel Fanning<br \/>\nOsvaldo Cibils<br \/>\nOwen Mundy and Joelle Dietrick<br \/>\nOzzy Yorulmaz<br \/>\nRachel Marsden<br \/>\nRobin Boothroyd<br \/>\nSibyll Kalff<br \/>\nTing<br \/>\nTushar Waghela<br \/>\nZiggy Evitts<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Owen Mundy and Joelle Dietrick, The Darkest Hour is Just Before the Dawn, installation view, York, AL, 2006 A touring exhibition at Broadwalk Arts, Bristol then at The Willesden Gallery, London includes national and international artists and writers exploring the notion of connectivity, correspondence and dialogue entailing a subversive perspective to the theme. Exhibition Details [&#8230;]<\/p>\n<p><a class=\"btn btn-secondary understrap-read-more-link\" href=\"https:\/\/owenmundy.com\/blog\/2009\/07\/subversive-correspondence\/\">Read More&#8230;<span class=\"screen-reader-text\"> from Subversive Correspondence<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6],"tags":[3,4,40,41],"class_list":["post-211","post","type-post","status-publish","format-standard","hentry","category-exhibitions","tag-art","tag-exhibition","tag-london","tag-uk"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p2ovQg-3p","_links":{"self":[{"href":"https:\/\/owenmundy.com\/blog\/wp-json\/wp\/v2\/posts\/211","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/owenmundy.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/owenmundy.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/owenmundy.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/owenmundy.com\/blog\/wp-json\/wp\/v2\/comments?post=211"}],"version-history":[{"count":8,"href":"https:\/\/owenmundy.com\/blog\/wp-json\/wp\/v2\/posts\/211\/revisions"}],"predecessor-version":[{"id":295,"href":"https:\/\/owenmundy.com\/blog\/wp-json\/wp\/v2\/posts\/211\/revisions\/295"}],"wp:attachment":[{"href":"https:\/\/owenmundy.com\/blog\/wp-json\/wp\/v2\/media?parent=211"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/owenmundy.com\/blog\/wp-json\/wp\/v2\/categories?post=211"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/owenmundy.com\/blog\/wp-json\/wp\/v2\/tags?post=211"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}