{"id":2355,"date":"2013-01-22T18:22:27","date_gmt":"2013-01-23T02:22:27","guid":{"rendered":"http:\/\/owenmundy.com\/blog\/?p=2355"},"modified":"2013-01-22T18:22:27","modified_gmt":"2013-01-23T02:22:27","slug":"washington-post-review-of-grid-sequence-me-show-documentation","status":"publish","type":"post","link":"https:\/\/owenmundy.com\/blog\/2013\/01\/washington-post-review-of-grid-sequence-me-show-documentation\/","title":{"rendered":"Washington Post review of &#8220;Grid, Sequence Me&#8221; show + documentation"},"content":{"rendered":"<p><a href=\"https:\/\/owenmundy.com\/blog\/wp-content\/uploads\/2013\/01\/washingtonpost.jpg\"><img decoding=\"async\" src=\"https:\/\/owenmundy.com\/blog\/wp-content\/uploads\/2013\/01\/washingtonpost-1024x768.jpg\" alt=\"washingtonpost\" width=\"600\" \/><\/a><\/p>\n<p>The Washington Post recently published a review recently about my and Joelle&#8217;s exhibition at Flashpoint Gallery in D.C. Check it out: <a href=\"http:\/\/www.washingtonpost.com\/gog\/misc-events\/joelle-dietrick-and-owen-mundy-grid-sequence-me,1236964\/critic-review.html\" target=\"_blank\">Joelle Dietrick &#038; Owen Mundy: Grid, Sequence Me<\/a>, by Maura Judkis, Jan 11, 2013.<\/p>\n<blockquote><p>A few elements will be recognizable, such as the brutalist outline of the J. Edgar Hoover FBI Building, but many are stripped down to their most generic shapes, making rows of windows look like charts and bar graphs. The projections of some of those shapes echo and interplay with the forms of the Flashpoint gallery interior.<\/p>\n<p>Dietrick and Mundy also scraped The Post\u2019s listings of recent home sales, with architectural elements from some of those homes appearing before a dense thicket of live-streamed code. It\u2019s a visual reminder of just how complicated the housing industry has become.<\/p>\n<p>&#8230;<\/p>\n<p>There\u2019s a sense in the animation that the structures are tumbling away from you &#8212; just as homeownership has slipped out of the grip of many Americans. But the piece will elicit a different reaction here than in Florida, where the effects of the housing market crash have been far more pronounced. In Washington, we\u2019ve mostly been insulated from it: Foreclosures are few, short sales are sparse. In the jumble of buildings and code, \u201cGrid, Sequence Me,\u201d may serve as a warning for those who haven\u2019t experienced that sense of loss &#8212; but who indirectly, though policy work, may have influenced the systems that led to the crash.<\/p><\/blockquote>\n<p>I also finished a short piece with video from the installation and screen captures of the Processing visualization.<\/p>\n<div class=\"jetpack-video-wrapper\"><div class=\"embed-vimeo\" style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/57830021\" width=\"640\" height=\"338\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen><\/iframe><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>The Washington Post recently published a review recently about my and Joelle&#8217;s exhibition at Flashpoint Gallery in D.C. Check it out: Joelle Dietrick &#038; Owen Mundy: Grid, Sequence Me, by Maura Judkis, Jan 11, 2013. A few elements will be recognizable, such as the brutalist outline of the J. Edgar Hoover FBI Building, but many [&#8230;]<\/p>\n<p><a class=\"btn btn-secondary understrap-read-more-link\" href=\"https:\/\/owenmundy.com\/blog\/2013\/01\/washington-post-review-of-grid-sequence-me-show-documentation\/\">Read More&#8230;<span class=\"screen-reader-text\"> from Washington Post review of &#8220;Grid, Sequence Me&#8221; show + documentation<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,112],"tags":[3,165,73,4,36,61],"class_list":["post-2355","post","type-post","status-publish","format-standard","hentry","category-exhibitions","category-press","tag-art","tag-code","tag-data","tag-exhibition","tag-processingorg","tag-visualization"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p2ovQg-BZ","_links":{"self":[{"href":"https:\/\/owenmundy.com\/blog\/wp-json\/wp\/v2\/posts\/2355","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/owenmundy.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/owenmundy.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/owenmundy.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/owenmundy.com\/blog\/wp-json\/wp\/v2\/comments?post=2355"}],"version-history":[{"count":10,"href":"https:\/\/owenmundy.com\/blog\/wp-json\/wp\/v2\/posts\/2355\/revisions"}],"predecessor-version":[{"id":2368,"href":"https:\/\/owenmundy.com\/blog\/wp-json\/wp\/v2\/posts\/2355\/revisions\/2368"}],"wp:attachment":[{"href":"https:\/\/owenmundy.com\/blog\/wp-json\/wp\/v2\/media?parent=2355"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/owenmundy.com\/blog\/wp-json\/wp\/v2\/categories?post=2355"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/owenmundy.com\/blog\/wp-json\/wp\/v2\/tags?post=2355"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}