Keyword Intervention has been included in the recent HZ Net Gallery update. Also included were: Alysse Stepanian, Rudi Punzo, Aaron Oldenburg, Aaron M. Higgens, Anders Bojen & Kristoffer Ørum.

FFF – Found Footage Film collection
curated by Wilfried Agricola de Cologne

“Found footage is a filmmaking term which describes a method of compiling films partly or entirely of footage which has not been created
by the filmmaker, and changing its meaning by placing it in a new context. The term refers to the “found object” (objet trouvé) of art history.”

VAD – Video Art Database
VideoChannel Cologne – Found Footage!
http://and.nmartproject.net/?p=2770

Listed artists/directors:

Agricola de Cologne (Germany)
Borja Alexandre (Spain)
Michael Brynntrup (Germany)
Jon Keith Brunelle (USA)
Maria Canas (Spain)
Larry Caveney (USA)
Sebastian Clej (Romania)
John Criscitello (USA)
Dr. Boston (USA)
Bill Domokos (USA)
Angie Eng (USA)
Clint Enns (Canada)
Enrique Freaza (Spain)
Rajorshi Ghosh (USA)
Doron Golan (Israel)
Juan David Gonzalez Monroy (Colombia)
Grace Graupe-Pillard (USA)
Constantin Hartenstein (Germany)
Denise Hood (USA)
Leslie Huppert (Germany)
Andrea Huyoff (Germany)
Katrina Inagaki (USA)
Jeremiah Jones (USA)
Ellen Lake (USA)
Irad Lee (Israel)
Fumiko Matsuyama (Japan)
Alistair McClymont (UK)
Davor Sanvicenti (Croatia)
Alexander Mouton (USA)
Owen Mundy (USA)
Toban Nicols (USA)
Jonas Nilsson (SWE)
Jun Ho Oh (South Korea)
Renata Padovan (Brazil)
Lobo Pasolini (Brazil)
Johanna Reich (Germany)
Joao Ricardo (Portugal)
Jasper Rigole (Belgium)
Joshua Rosenstock (USA)
Benjamin Rosenthal (USA)
Anthony Rousseau (France)
Benjamin Schultz-Figueroa (USA)
Jennifer Schwed (USA)
Ran Slavin (Israel)
Dennis Summers (USA)
Sonja Vuk (Croatia)
Philip Widmann (Germany)
James Woodward (USA)
Andreas Zingerle (Austria)

Joelle Dietrick and I have been selected to participate in the upcoming Europe-wide Art Festival Exchange Radical Moments! Organized by Austrian collective, Die Fabrikanten, the festival includes interdisciplinary projects exploring the nature of contemporary Europe and will culminate on 11.11.2011 as a moment of simultaneous fruition. Featured participants include Gabriela Gerber and Lukas Bardill; Scott Bunham and Juliane Stiegele. Download the promotional magazine here.

Joelle and I will be generating a project based on The Darkest Hour is Just Before Dawn, a redux if you will. More soon…

Original post here

Here are two images I created with NodeBox (Python) and PHP (data via facebook API).

All friends, one common link.

All the mutual connections I could gather before the script timed-out. Need to make the gathering more efficient.

The FSU Art Review System is live.

More images online here.

Here are some new sitemaps, built using the Python Scrapy library and NodeBox.

Keyword Intervention is receiving lots of traffic this week from searches related to a television show called, yes, “Intervention.” All these great searches like “intervention nude“, “intervention cristy naked pics“, and “INTERVENTION CHRISTY NUDE” (all caps will somehow help your search?) have inspired me to update the layout and search engines it scrapes.

Map of this week’s searches.

This summer I worked at the MIT Media Lab on my Automata project, an internet bot and online application that makes visible hidden relationships of power.

Some photos and notes from time at MIT Media Lab with Chris Csikszentmihályi.

New edition to Media Lab

Strange

Boston Contemporary

MIT Sailing, free for students.

Chris Csikszentmihályi

Me on the Mystic River

Chris’ robot kayak.

Thanks to Jack Stenner and Sean Miller for hosting my upcoming artist talk at the University of Florida in Gainesville.

University of Florida Artist Talk
Gainesville, FL
October 15, 2009
7:00 PM

“Anemophilous Formula for Computer Art, 2007, by Joelle Dietrick and Owen Mundy. One of my five selections. It consists of a wall projection of Tallahassee’s airport lounge, which hosts a wall size photographic reproduction of Mcklay Gardens. The city is often bombarded with pollen during the month of March. The airport lounge offers a reference of nature in an artificial space. Under the concept of non-places, which was my curatorial thematic, this work was placed in Centro Multimedia’s hallway where people constantly walked, to emphasize the use of the original image in a “non-place.””
—Eduardo Navas

Reblogged from http://remixtheory.net/?p=394