ART&DESIGN for Social Justice Symposium

The Darkest Hour

On Monday, January 19, Joelle and I are giving a presentation titled, “The Darkest Hour is Just Before Dawn: Research and Optimism in Community-Based Art,” to Florida State University’s ART&DESIGN for Social Justice Symposium.

http://interiordesign.fsu.edu/symposium/

The ART&DESIGN for Social Justice Symposium focuses on how the tools and inherent abilities within the areas of art and design can be utilized in addressing issues confronting less advantaged groups within our local communities, states, regions or world. The event is designed to generate synergy, spawn collaborative projects among participants, create new scholarly initiatives, and allow examination of the role that art and design plays in the telling of a broader social narrative.

2009 Art and Design for Social Justice Symposium
Florida State University
Location: HCB, “The New Classroom Building”

8:00-8:30 Late Registration, Coffee and Pastries

8:30-8:45 Welcome, Eric Wiedegreen, Dean Sally McRorie, Dave Gussak,
Room 103

8:45-9:30 Eve Blossom, Keynote Speaker, Room 103

9:45-10:15 Presentation, Room 205
“Close to Home: Studying Art and Your Community”
Pat Villeneuve & Donald Sheppard, Florida State University

Presentation, Room 210
“Separating Desire from Desperation: Parallel Existences in Sao Paulo,
Brazil”
Hannah Mendoza & Matthew Dudzik, Savannah College of Art and Design

Film, Room 213
“Pillars of Justice: An examination of courthouses and their role the
search for justice.”
Brenda Waugh & Paulette Moore, Center for Justice and Peace at Eastern
Mennonite University

10:25-10:55 Presentation, Room 205
“Art Therapy as Part of a Multidisciplinary Team: Developing an Arts in
Corrections Program”
Caroline Cook, Florida State University

Presentation, Room 210
“From Sheltered Students to Sheltering Others”
Patrick Lee Lucas & Suzanne Cabrera, The University of North Carolina-
Greensboro

11:05-11:35 Presentation, Room 205
“Art and Place Relationship: Evaluating Sense of Place in a Community
Based Public Art Installation”
Marlo Ransdell, Florida State University

Presentation, Room 210
“i+TiBET: A Community Effort to Preserve Tibetan Culture-in-Exile”
Angela Tank & Carrie Ann Christensen, University of Minnesota-Twin
Cities

11:45-12:15 Presentation, Room 205
“The Darkest Hour is Just Before Dawn: Research and Optimism in
Community-Based Art”
Owen Mundy & Joelle Dietrick, Florida State University

Presentation, Room 210
“Incorporating Civic and Social Responsibility into Design Curriculum”
Jillissa Moorman, University of Northern Iowa

12:15- 1:30 Lunch (with Music by Charles Atkins)

1:40- 2:10 Presentation, Room 205
“Integrating Social Justice in the Thesis”
Alison Keohane, Jessica Menrath, Cheryl Watson, Hannah Mendoza,
Savannah College of Art and Design

Presentation, Room 210
“Research to Application: How an Innovative Arts in Corrections Program
Was Developed”
Dave Gussak, Florida State University

2:20-2:50 Presentation, Room 205
“The Cradle of Hope: One Year Later”
Jill Pable, Rachelle McClure, Sean Coyne, Florida State University

Presentation, Room 210
“A Place of Their Own: Shaping Behavior Through Design in an Arts-
Based Community Center”
Tracie Kelly, Florida State University

3:00- 3:45 Endnote Speaker, Joan Frosch

3:45- 4:00 Closing Remarks

Aspect: The Chronicle of New Media Art _VOL.12 Fall 2008

aspect12_cover

Aspect: The Chronicle of New Media Art
Volume 12: Vital presents nine artists exploring that which is essential, grave, indispensable, and/or critical to existence. Mirroring preconceived notions of reality, these works re-imagine new deities, investigate animal nature and human desire, contemplate the body vs. the psyche, meditate on the circular nature of our existence, and in one case force us to witness the final minutes of life. We confront our own profound mortality, experience fear and displacement within a technological landscape, and consider the sustaining reciprocal relationship of artist and gallery.

  • 9-11/9-11 by Mel Chin w/ commentary by Ute Meta Bauer
  • Liberation of the Paranoid World; Gargoyling; Pressing the Vessel by Goatsilk w/ commentary by Ricardo de Mambro Santos
  • Primate Cinema by Rachel Mayeri w/ commentary by Meredith Tromble
  • Sequence of Good Intentions by Park McArthur w/ commentary by Michael O’Malley
  • Bathyscape by Andrew Mowbray w/ commentary by Matthew Nash
  • Anemophilous Formula for Computer Art by Joelle Dietrick and Owen Mundy w/ commentary by Eduardo Navas
  • Freund Hein by Elisabeth Smolarz w/ commentary by Angelique Campens
  • Polar Bear God by Deke Weaver w/ commentary by Una Chaudhuri
  • excerpts from Untitled (Red); Untitled (Blue); Tell Me; Ned Talking by Suara Welitoff w/ commentary by Andrew Witkin

anemophilous

Anemophilous Formula for Computer Art by Joelle Dietrick and Owen Mundy
custom software
2007

Inspired by Jim Campbell’s Formula for Computer Art and Tallahassee’s annual sea of tree pollen, Mundy and Dietrick created a data-based animation referencing new forms of cross-pollination and re-use. Made to be meditative and aesthetically pleasing, the format parodies computer art that simply crunches numbers to create useless forms. The diligently recorded data of the National Allergy Board guides the animation down a predictable path and stands in stark contrast to the chaos of everyday life. The project calls into question our obsession with mapping nature, as if grasping its sublimity would be essential to finding lifelong satisfaction.

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