Category: conferences

On March 18, 2016 I was invited to speak at the Austrian Federal Chancellery on the state of data privacy laws and culture in the U.S. I then took part in a panel discussion with, among other participants, Mr. Max Schrems from Europe v. Facebook.

In addition how laws differed from those in the E.U. I also shared my Fulbright research, including a new concept I’ve been working on called “Free Market Privacy,” where data security is only provided to users only because it benefits the companies holding their data. Instead of a basic human right enshrined by the constitution, privacy is a byproduct of capitalist pursuits.

English translation:

Invitation to the event on the occasion of the 10th European Data Protection Day

Transatlantic traffic after the Safe Harbour decision of the ECJ
Friday, March 18 2016
Federal Chancellery, congress hall, Ballhausplatz 2, 1010 Wien

10:00 Welcome
Section Chief Dr. Gerhard HESSE, Federal Chancellery

10:10: Introduction
State Secretary Mag Sonja Stessl, Federal Chancellery

10:20: “The most important statements of the ECJ on fundamental right to data”
Prof. Dr. Maria BERGER, Judge at the Court of the European Union Federal Minister of Justice aD

10:40: “basic Regulation, Framework Agreement, Privacy Shield: The new rules”
Paul NEMITZ, Director for Fundamental Rights and Citizenship in the Directorate General for Justice of the European Commission

11:00: “Free Market Privacy: The Increasing Commodification of Personal Data”
Prof. Owen MUNDY, Florida State University
Professor on “Cultural Distinctions in Perceptions of Data Privacy”

11:20: Panel and audience discussion Moderator:

Councillor Dr. Andrea JELINEK
Head of the Data Protection Authority (DPA)

Abg.z.NR aD Mag. Johann MAIER
Chairman of the Data Protection Council (DSR)

Mag. Max SCHREMS
Author and privacy activist

Prof. Dr. Maria BERGER
Judge at the Court of the European Union Federal Minister of Justice aD

Paul NEMITZ
Director for Fundamental Rights and Citizenship in the Directorate General for Justice of the European Commission

Prof. Owen MUNDY
Florida State University
Professor on “Cultural Distinctions in Perceptions of Data Privacy”

12:45: Press conference

Registration: Tel .: +43 1 53115-20 25 27 or email: v3@bka.gv.at
The number of participants is limited; it counts the order of registration.
Note: The event will be broadcast via live stream on www.bundeskanzleramt.at.

I Know Where Your Cat Lives will be featured at the new exhibition, Big Bang Data, opening today at Somerset House in London. This is a traveling exhibition curated by Olga Subirós and José Luis de Vicente.

Emails, selfies, shopping transactions, Google searches, dating profiles: every day we’re producing data in huge quantities. Our online activity, alongside that of businesses and governments, has led to a massive explosion – a ‘Big Bang’ – of data.

This radical shift in the volume, variety and speed of data being produced, combined with new techniques for storage, access, and analysis, is what defines the proliferation of data. It is radically reshaping our world and is set to revolutionise everything we do.

Data today gives us new ways of doing things: from scientific research to business strategy, politics to social interaction, our new data-driven society that has the potential to be more fair, stable, and efficient and yet it also created a tools for unprecedented mass surveillance and commodification. Data access and usage rights, along with the value they comprise, are at the heart of many concerns.

Big Bang Data explores the issues surrounding the datafication of our world through the work of artists, designers, journalists and visionaries. As the data explosion accelerates, we ask if we really understand our relationship with data, and explore the meaning and implications of data for our future.

The exhibition, which runs Dec 3, 2015—Feb 28, 2016, includes over 50 works by artists, designers and innovators, comprising also a number of authors I’ve long admired like:
Brendan Dawes, Charles Joseph Minard, David McCandless, Ellie Harrison, Eric Fischer, Erica Scourti, Eva and Franco Mattes, Fight for the Future and Demand Progress, Florence Nightingale, Forensic Architecture, Future Cities Catapult, Heather Dewey-Hagborg, Horst Ademeit, IF, Ingo Günther, Ingrid Burrington and Dan Williams, Interaction Research Studio, Goldsmiths, ITO World, Jaime Serra, James Bridle, John Snow, Jonathan Harris, Jonathan Minard, Julian Oliver, Julie Freeman, Kamel Makhloufi, Kiln, Laura Poitras, Lev Manovich and Moritz Stefaner, Lisa Jevbratt, Lise Autogena and Josh Portway, mySociety, Nesta, Nicholas Felton, Open Knowledge, OpenCorporates, Owen Mundy, Paolo Cirio and Alessandro Ludovico, Philipp Adrian, Rafael Lozano Hemmer, Ryoji Ikeda, Safecast, Stefanie Posavec and Giorgia Lupi, Tekja, TeleGeography, The Guardian, The Long Now Foundation, Thomson and Craighead, Timo Arnall, Umbrellium, William Elford, and Zach Blas

Some press is emerging already and I’ll add more images as the show opens:

• I Know Where Your Cat Lives: Feline photo mapping website exposes how easy it is to track the owner’s location by Nick Clark, The Independent
• How uploading pictures of your pet cat can breach your privacy: Professor reveals that uploading pictures of your favourite feline gives stalkers a chance to pinpoint where YOU are by Thomas Burrows The Daily Mail
• The Data of Our Lives, Illustrated by Linda Poon, Citylab (The Atlantic)
• London’s Dazzling “Big Bang Data” Exhibition Reveals the Ugly Truths of Our Digital Lives by Matilda Battersby, ArtNet News
• Big Bang Data at London’s Somerset House by Cajsa Carlson, Cool Hunting
• Big Bang Data, Somerset House, review: ‘alarming’ by Mark Hudson, The Telegraph
• Big Bang Data Domus
• Big Bang Data offers worries, wonders and some cats by Alun Anderson, New Scientist
• Review: Making Big Data visible and tangible
  By Richard Beales, Reuters

Meanwhile time for a…

2015 Update on IKWYCL

Just over a year ago I launched I Know Where Your Cat Lives and it immediately went viral. I’m gracious for all the positive attention the project has received, and even more so for the reach it generated. In addition to a notable influence on research and dialogue around metadata security, the impact for individuals has been significant. Over 25% of owners of cat photos from the original sample have removed or increased privacy on their images and, even more noteworthy, nearly 60% of users have chosen to leave their photos public but have manually removed their location data from the images they shared, underlining the importance of this project to experts in the field, as well as everyone who uses social media.

Since then I’ve found time to evaluate the project’s impact and begin to work on the conclusion. The site I shared was only a prototype, containing just one million images from the at least 15 million tagged with #cat on social media. Thanks to everyone at FSU’s Research Computing Center, and to support from Dr. Ostrander at the FSU Office of Research, I’ve made great progress in collecting and visualizing the millions of images that users have unknowingly uploaded with geolocation data. With this exhibition at Somerset House I’m uploading another large dataset to bring the total number of cats to just under 5.4 million!

The final project will include expanding the data set to run in real time, as well as a mobile app called “Like Tinder for Cats,” and a book project which contextualizes and documents the research, the technology I developed, and most importantly, the impact of this ephemeral web-based work on industry, academia, and culture. I’m also thankful for the opportunity to work with my longtime colleague and amazing writer, Shana Berger, on the writing for the project, the first essay of which is currently under review.

Highlights from the last year

The IKWYCL prototype website has already received press in Motherboard/Vice Magazine, The New York Times, Time Magazine, The Atlantic, Wired Magazine, MSNBC, NPR, and many others. It has been featured in several international exhibitions including the Tempo Documentary Festival in Stockholm, Sweden, and numerous others like:

I Know Where Your Cat Lives was nominated for a 2014 IDFA DocLab Award for Best Digital Storytelling at the International Documentary Film Association (IDFA) Festival. While ultimately the amazing Serial podcast took the prize, I was thrilled to be nominated among many great interactive documentary works including Miranda July’s conceptual app Somebody. Read more about IDFA DocLab in this review on We Make Money Not Art.

I was also excited to take part in the festival, not only as a presenter, but a mystery guest on the evening of my talk. Previously I had shared a selection of my Google searches with a team of experts who led a quiz style analysis of my search history, complete with an artist who did a rendering of what my family looked like according to my searches, and a chef who prepared food for the audience based on what my data revealed.

Mystery guest revealed: @owenmundy maker of I Know Where Your Cat Lives. Drawing by Rafaella based on his Websearches pic.twitter.com/aR8JdOaKXb

— IDFA DocLab (@DocLab) November 22, 2014

That same month found me giving a presentation on my work during the L2 Forum at the Morgan Library in New York City.

While in NYC I also spoke at the LISA (Leaders in Software and Art) Salon at Postmasters Gallery

This is what the LISA salon looked like at @PostmastersNYC and it was awesome! @owenmundy @c_tl_n pic.twitter.com/wOZiZs8mNX

— LISA (@softwareandart) November 25, 2014

In May 2015 it was featured among works by Trevor Paglen and Jason Salavon in the exhibition Art In The Age Of… Planetary Computation, at the Witte de With Center for Contemporary Art in Rotterdam curated by Adam Kleinman. This was followed by an exhibit on interactive storytelling and the future of digital media at the Polish National Audiovisual Institute (NInA) in Warsaw curated by Anna Desponds.

Finally, I was very honored to be interviewed this summer for two separate European journalism projects around the cultural impact of technology.

Silvia Font published an extensive discussion which included many of my previous works for El Diario. The interview, Las fotos de tu gato en internet ponen en jaque tu privacidad (in Spanish), was part of a series that included interviews with Laura Poitras and Jacob Appelbaum.

And, Charles-Henry Groult interviewed me for an ARTE web special about people shaping the culture and politics of the internet. The interview is in English but the interface elements are only in French and German

The dialog with these professionals was really gratifying. I’m so glad to have created something that is so thought-provoking, has proven impact, and yet is extremely fun to use. Thanks to everyone for the support :-)

This week I’m presenting at the Creativity and Technology Symposium hosted by the North Carolina State University Libraries.

Using our feline friends as a theme, we will explore a variety of topics that relate to the ever-expanding and complex work of libraries and academic institutions including: GIS-data enabled location tracking and the implications for privacy rights; the use of social media in research; how new technologies are expanding the possibilities for data gathering; and digital archiving as it relates to common computer usage and pop culture. Plus, we have a few special guests who will be paying a not-to-be-missed visit to the Libraries. All C.A.T.S. events are free and open to the public.

UPDATE: C.A.T.S. was a success, AND I met the famous Lil Bub!

This month found me at the excellent Beautiful Data II workshop at the MetaLab at Harvard University sponsored by the Getty Foundation. Participants worked together in the Carpenter Center and Harvard Art Museum under the theme “Telling Stories About Art with Open Collections.”

There were presentations by known visualization and museums experts, breakout sessions exploring how to represent problem data and collections, and talks by participants and Metalab staff and fellows, including a wonderful group of artists, curators, designers, and scholars in attendance.

Here are a few of the many highlights starting with this nerdy shot of me…

Data Therapy workshop with Rahul Bhargava (slides1, slides2).

Learning about provenance at the Harvard Art Museum (note stamp declaring Nazi property)

This spanking cat statuette from the Cooper Hewitt collection.
Colour Lens produced at Beautiful Data I.
Presentation by Seb Chan Director of Digital at Cooper Hewitt.
Memory Slam by Nick Montfort.
Meow Met Chrome extension shows cats from the Met Museum in new tabs.

Behind the scenes of Ivan Sigal‘s Karachi Circular Railway, Harvard Art Museum Lightbox.

The Life and Death of Data by Yanni Loukissas.
Ben Rubin discussing his and works by Mario Klingemann, Ryoji Ikeda, Jer Thorp and others.
William James Twitter Bot by Rachel Boyce.

Cold Storage documentary by Jeffrey Schnapp, Cristoforo Magliozzi, Matthew Battles, et al.

Cooper Hewitt typeface by Chester Jenkins

“Unicode” by Jörg Piringer shows all 49571 displayable characters in the unicode range.

*Most photos by Metalab staff

I am giving a lecture on my research tomorrow at a Florida State Department of Geography colloquium. I’ll be addressing artistic and cultural works that make use of data visualization and various forms of mapping to critique or engage issues surrounding data privacy, militarism, and surveillance. I will be giving a preview of a new web-based project involving mapping and cats. I will also talk about Representing Place, the collaborative graduate seminar I co-taught with Prof. Phil Steinberg in Geography.

“Data and Site: Visualizing Indexicality”
Owen Mundy, Assistant Professor in Art
Friday April 18, 3:30-4:30pm
DeVoe Moore Conference Center, Bellamy 150-E.

I’m back from Lüneberg, Germany and already missing the simplicity of traveling by train as well as the pleasure of fine wurst. However I had an engaging few days at the Post Media Lab’s Taking Care of Things!. The event began with a keynote by Kelly Dobson from RISD, followed by a tour of Stadtarchive the next morning. Then we broke off into groups to address various topics around archives, art, media, and politics.

I worked in the Measure Drones group with colleagues, Kristian Lukic, Moritz Queisner, Boaz Levin, Daniel Herleth, Adam Kaplan, Frédéric Eyl, and Oliver Lerone Schultz (one of the coordinators of Taking Care of Things along with Christina Kral). Together, over the course of two days, we worked together to conceive, research, write, illustrate, and design a booklet called “The Earth Observation Guide.” This is not a history of art about drones, nor does it try to tackle the whole subject. Rather it is more akin to a time capsule that preserves a moment in time before drones are widespread. It acts as a guidebook, recording what is known about their past and present, illustrating shifts and concerns, and addressing how humans might understand their future. Here are some images of the presented work on the third day:

I also somehow managed to get my mug in the newspaper in Lüneberg. I think it says “American professor launching spy drones in Germany” or some such thing.

The group examining 16th century drawings of salt mines from the archive.

Excited to be heading to Lüneberg, Germany, tomorrow for this conference organized jointly by Habits of Living (Brown University, CIS Bangalore) and the Post-Media Lab in conjunction with Stadtarchiv Lüneburg.

January 15-18
Taking Care of Things!
Archives – Life-Cycles – Care
organized by Post-Media Lab/CDC and Habits of Living in cooperation with the Stadtarchiv Lüneburg

Venue: Stadtarchiv Lüneburg, Germany

From the perspective of current theoretical approaches the figure of the archive seems to have lost its central status and its fever. Meanwhile, in our medial and cultural set-up new (kinds of) archives seem to crop up everywhere, accelerated by new means of production and distribution. Cultural repertoires are being remixed alongside technological repositories – often giving new life to almost forgotten relics. Ever more things, valuables, processes, projects, constituencies, even movements, need to be taken care of. It is not only cultural and critical theory that is being challenged, but also law, the natural sciences and design, alongside other applied sciences. But what are the complex dynamics and contexts of these new (non-)archives? Do they really make sense? And if so, by and for whom?

To address these questions, ‘Taking Care of Things!’ focuses on the transformation of things – analog and digital – into life-cycles and specific practices of care. This will be done in different thematic groups dealing with topics, like Mesh Media!, Civil Archaeology, Measure Drones, Unearthing the Archive, Translating Ontologies and Extinction in Context.

This workshop will address such fundamental changes in archiving and objects by generating practices and chances to take care of things. That is, we will seek to extend (or sometimes end) the life-cycle of objects not by simply preserving them (this usually guarantees they will be forgotten), but rather through acts that respond, react, and/or reuse.

‘Taking Care of Things!’ will be based at and operating from the Stadtarchiv Lüneburg, the city’s rich and still to-be-further-explored archive, headed by Danny Kolbe.

‘Taking Care of Things!’ will start Wednesday evening (Jan 15) with a public talk by Kelly Dobson (Brown University) and followed by short introductions by Oliver Lerone Schultz, Nishant Shah and Wendy Chun to set the scene for the following days. Clemens Apprich together with Marcell Mars will then turn the evening into a Public Library, offering the first charge of Post-Media Lab publications as free downloads.

Thursday and Friday (Jan 16-17) will be reserved for intensive exchanges and workshops among the invited participants, all of whom deal very differently and critically with post-medial (non-)archives. There will be the opportunity to interface with the Lüneburg public, assembling archival objects of different kinds. On Saturday (Jan 18) all these activities will culminate in a public presentation and fair under the umbrella of ‘Parliament of Things’ held at the Stadtarchiv.

‘Taking Care of Things!’ will create multiple interweavings not only with the rich repository of the Stadtarchiv, but also with the multiple potentials of existing and new collaborations around the Center for Digital Cultures – possibly starting some repositories that will carry on into a future, where the Post-Media Lab will have been supplanted by other, new life-cycles.​

‘Taking Care of Things!’ is a collaborative event between Habits of Living (Brown University, CIS Bangalore) and the Post-Media Lab in conjunction with Stadtarchiv Lüneburg.
This event will mark the conclusion of the first life-cycle of the Post-Media Lab by bringing together former fellows and new participants.

Among the participants are: Adnan Hadzi and James Steven (DeckspaceTV), Femke Snelting and Michael Murtaugh (Constant/Active Archives), Eric Kuitenberg and David Garcia (Tactical Media Files), Boaz Levin and Daniel Herleth and Adam Kaplan (The Rise of Data), Fabian Giraud and Inigo Wilkins (Glass Bead), Jonathan Kemp and Martin Howse („Stack, Frame, Heap –SFH)”, as well as Memory of the World (Marcell Mars), Mathias Fuchs (Gamification Lab), Cornelia Sollfrank (Giving What You Don´t Have), Hauke Winkler (Freifunk Lüneburg), Robert Ochshorn (InterLace), Tapio Makela (M.A.R.I.N.) [had to cancel bec of illness], Fabrizio Augusto Poltronieri (MaisZero), Rodrigo Novaes (Flusser Archiv/UdK), Owen Mundy, Kristian Lukic (NAPON), Vahida Ramujkic (irational), Volker Grasmuck (CDC/Grundversorgung 2.0), Kilian Froitzhuber (netzpolitik.org), Vincent Normand, Jeremy Lecomte, Ida Soulard, Erich Berger, Connie Mendoza, and more.

Coordination & Care
Christina Kral: christina.kral@inkubator.leuphana.de
Oliver Lerone Schultz: oschultz@leuphana.de

Team
Wendy Chun, Nishant Shah, Clemens Apprich, Josie Berry Slater, Anthony Iles; and Nora Hannemann, Sina Hurnik, Nina Kersten, Ann-Kathrin Wagner, Nicolas Schrape

Weather permitting, I’ll be in New York this week to attend the College Art Association conference and present on the Military and the Landscape panel on Saturday, Feb 16.

Top Gun-Behind The Scenes (2001)

Military and the Landscape: Revealing and Reflecting
Saturday, February 16, 9:30 AM-12:00 PM
Madison Suite, 2nd Floor
Chair: Ruth A. Dusseault, independent artist

Play War: Homemade Recreational Battlefields
Ruth A. Dusseault, independent artist

Nuclear Weapons and Shrines: Public Weapons in America
Paul Shambroom, University of Minnesota

Omniscience and Contingency: Landscapes of Military Intelligence and Terror Simulation
Steve Rowell, independent artist

Technologies of Vision: The Radical Cartographies of Harun Farocki and Trevor Paglen
Krisin M. Brockman, The Ohio State University

Miniature War in Iraq and Now in Afghanistan
Brian Conley, California College of the Arts

The Military Industrial Marketing Machine: Leveraging the Media Landscape
Owen Mundy, Florida State University

I am an “attractor” for a stream of interest at a conference that is happening this weekend in Prague. There are thought-provoking presentations lined-up. Check it out if you are nearby.

Examining Networks of Power
Attractor: Owen Mundy (US)

Addressing the Future: The Tactics of Uncertainty
Attractor: Claudia Westermann (AT)

MutaMorphosis: Tribute To Uncertainty
Saturday, December 8, 2012
13:30-15:30 | Academy 2

Marc Garrett (UK) | Revisiting the Curious World of Art & Hacktivism
Diane Derr (QA) | Morphological Mapping of the Arab Spring through an Ecological Lens
Daphne Dragona (GR) The power of counterpower
Katerina Karoussos (UK) | LUMEN HILARE – The (bio)photonic emission of a church and its metabolism in human consciousness

Owen Mundy: This thread intends to examine representations of contemporary control structures and discuss whether or not an image, particularly network graphs depicting power relationships, information flows, economic activity, etc. have the ability to reverse trends of concentrated power. Does depicting power lead to greater democratization of said power or are we merely creating beautiful images that detract from their original intent—to reveal, examine, and act. To what effect does mapping complex data depicting influential actors, institutions, moments in time, finance systems, mapped onto a two-dimensional surface unravel the power they represent by distributing that power? Methodology: We’ll begin the discussion by looking at historical examples of communication that intend to affect power structures. We’ll examine works by artists and cultural practitioners such as Hans Haacke, Mark Lombardi, Josh On (theyrule.net), Bureau d’études, and more. We’ll consider Manual Castells‘ “Network Theory of Power” within these context(s). Then we’ll discuss visual components of network graphs, asking in particular; what data and
representational forms help make a graph speak to as many people as possible. Finally we’ll work in groups to extend the discussion into possible solutions and various statements and recommendations for such representations.

Claudia Westermann: More than 30 years ago, Michel de Certeau suggested that a shift in methodologies was necessary from strategies that operate on the basis of planning and prediction to tactics that operate on the basis of appropriation. Within this context, competition for the best prediction is substituted for a search for authorities that create the places that give space. This stream of interest with the title ‘Addressing the Future – The Tactics of Uncertainty’ suggests that even though Utopia has not been valued recently, it is nevertheless the actual turn towards the future – this radical uncertainty – that allows for a profound re- questioning of our methodologies. How do the sciences and the arts address the future? Can we speak to it, and in doing so, can we create openings in the present? Methodology: The main intention of this suggested stream of interest is to provide for a ‘good’ start question from which the theme of uncertainty could be addressed in a rather radical way. I am interested in viewpoints from all areas of the sciences and arts. In addition to presentations, there could be conversational panels and workshops. The latter could also be contextualized within the city of Prague. Which inclination this theme takes also depends on the other streams of interest and should be discussed.

PRAGUE | CZECH REPUBLIC | DECEMBER 6-8, 2012 | WWW.MUTAMORPHOSIS.ORG | ORGANIZED BY CIANT | WWW.CIANT.ORG

Tonight Tim Schwartz, Walter Langelaar, Birgit Bachler, and I share our new project. The concept has taken a turn from the original plan, but will be exciting nonetheless.

Project Presentation and Mini-Seminar: Live Project Launch, Workshop Outcomes and Talks on [Social] Media Hacking
Friday, July 27, 2012

Tonight we launch the new version of “Give Me My Data!”, a project that together with Artists In Residence Tim C. Schwartz and Owen Mundy was revised and revived in WORM’s moddr_lab.

Give Me My Data offers functionality to its users with which they can retrieve and backup data and files from several key social networks; partly designed as a backup tool moreover targeted at networks that completely lack these functions.

Besides launching the project and am in-depth presentation by the artists, Walter Langelaar of WORM will give an introduction and overview of similar (art)works and earlier projects that came out of WORMs studios like the “Web2.0 Suicide Machine”.

Further more we’ll have presentations of current and ongoing projects from the lab, like Birgit Bachler’s ‘online social gardening’ platform “Talk To The Plant”, the Force of Freedom (Roel Roscam Abbing and Micha Prinsen) present “partsba.se”, and Geert Lovink talks about the “Unlike Us” initiative. The last addition to tonights programme is a presentation by Greenhost.nl on their very excellent RePress project; a WordPress plugin that automagically converts your site to a proxy-server countering censorship on the internet!

In conclusion there will be an open Q&A and panel discussion moderated by Florian Cramer of Creating010.

Projects & Speakers

Florian Cramer – Creating010
Florian Cramer, is a reader and programme director at the applied research center Creating 010 at Hogeschool Rotterdam, The Netherlands. he is a critical writer on arts, culture and information technology. Recent publications include: Exe.cut(up)able statements: Poetische Kalküle und Phantasmen des selbstausführenden Texts, Wilhelm Fink, 201.

Unlike Us / Geert Lovink
The aim of Unlike Us is to establish a research network of artists, designers, scholars, activists and programmers who work on ‘alternatives in social media’. Through workshops, conferences, online dialogues and publications, Unlike Us intends to both analyze the economic and cultural aspects of dominant social media platforms and to propagate the further development and proliferation of alternative, decentralized social media software.

Tim C. Schwartz – moddr_/WORM Artist in Residence
Tim Schwartz grew up in St. Louis, MO. He received a BA in Physics from Wesleyan University and an MFA in Visual Arts from the University of California, San Diego. In January 2010, he developed a technology to help reunited missing people affected by the earthquake in Haiti and now co-runs an organization dealing with family reunification. Last year Schwartz spent four months traveling the country in a mobile research laboratory investigating what is lost as archives become digital.

Birgit Bachler – moddr_/WORM
Birgit is an Austrian artist living and working in Rotterdam/NL. She graduated as BA in Information Design / Media & Interactiondesign at the Universityof Applied Sciences in Graz/AT and is a recent graduate of the MA Networked Media at Piet Zwart Institute Rotterdam. She has a background in interactive, audiovisual media and programming. Her interests focus on the influence of new media on our everyday lives and the similarities and differences between human and computational behavior.

RePress / Greenhost.nl
“This plugin was made in response to the ongoing limitation of the Open Web. In the dawn of 2012 we found ourselves confronted with a court-ruling blocking the Piratebay.org in the Netherlands. On the other side of the ocean new laws are being discussed to curtail web-freedom even further.”

We zijn pioneer in groene hosting. We ontwikkelden een innovatief energiebesparend hostingplatform waardoor we 70% minder energie gebruiken dan andere hosters. Onze servers staat bij Evoswitch, het meest duurzame datacenter van Nederland.

Owen Mundy – moddr_/WORM Artist in Residence
Owen Mundy is an artist, designer, and programmer who investigates public space and its relationship to data. His artwork highlights inconspicuous trends and offers tools to make hackers out of everyday users. He has an MFA in Visual Art from the University of California, San Diego and is an Assistant Professor of Art at Florida State University.

partsba.se / Force Of Freedom
At partsba.se you can upload, share and download digital designs for real physical products. Partsba.se allows you to share designs of any nature, whether these designs are copyrighted or dangerous. Unlike other websites partsba.se does not claim any rights of your designs once you upload them.In the near future partsba.se will run on a fully secure and anonymous server.

We believe that users should be free to reverse engineer any everyday objects that surround them. Either to improve these objects, customize them, repair them or just to understand them.

The Force Of Freedom is a Rotterdam based collective founded by Micha Prinsen and Roel Roscam Abbing in 2009. Researching ways in which we can relate to things that happen on-line.

Kaarten
De volgende kaarten zijn beschikbaar:
Normaal Voorverkoop: € 5.00 Deurverkoop: € 5.00

Locatie
WORM
Boomgaardsstraat 71
3012 XA Rotterdam

MutaMorphosis: Tribute to Uncertainty conference
December 6-8, 2012, Prague, Czech Republic.

Call for Abstracts
Deadline: July 1, 2012

Examining Networks of Power
By Owen Mundy

This thread intends to examine representations of contemporary control structures and discuss whether or not an image, particularly network graphs depicting power relationships, information flows, economic activity, etc. have the ability to reverse trends of concentrated power. Does depicting power lead to greater democratization of said power or are we merely creating beautiful images that detract from their original intent—to reveal, examine, and act. To what effect does mapping complex data depicting influential actors, institutions, moments in time, finance systems, mapped onto a two-dimensional surface unravel the power they represent by distributing that power?

Methodology: We’ll begin the discussion by looking at historical examples of communication that intend to affect power structures. We’ll examine works by artists and cultural practitioners such as Hans Haacke, Mark Lombardi, Josh On (theyrule.net), Bureau d’études, and more. We’ll consider Manual Castells‘ “Network Theory of Power” within these context(s). Then we’ll discuss visual components of network graphs, asking in particular; what data and representational forms help make a graph speak to as many people as possible. Finally we’ll work in groups to extend the discussion into possible solutions and various statements and recommendations for such representations.

Keywords: Networks; Power; Data; Politics

We invite you to respond to the Tribute to Uncertainty theme and/or to address one of the 21 streams of interest led by 28 conference Attractors.

Do you have something original to say about our world that is increasingly fuzzy, unstable and chaotic? Are you interested in how crisis, uncertainty and complexity can come together in order to question the known as well as predict and/or model yet unknown? Do you want to share projects intrinsically linking domains of scientific, artistic and technological research and creativity that can be introduced as relevant tools for better understanding of our common future?

The aim of this Call for Abstracts is to provide opportunity for community of interdisciplinary practitioners to get engaged in a transformative conversation on mutant futures.

Feel free to address conference Attractors and respond to a specific stream of interest in order to get involved with other interested individuals and collectives in structured collaborative efforts before, during, and hopefully also after the conference. Research groups formed by the Attractors -who serve as the Reviewers- will be expected to elaborate on the general theme Tribute to Uncertainty while turning attention to concrete research objectives as defined by the streams.

The results should be curated panels, roundtables, workshops as well as publications.

For more information about MutaMorphosis conference (planned publications, preparatory committee, partnerships) please visit mutamorphosis.org.

I’m participating a panel today at the College Art Association conference in Los Angeles. Sounds like it might be lively.

“Disrupt this Session”: Rebellion in Art Practices Today
Saturday, February 25, 9:30 AM–12:00 PM
Concourse Meeting Room 403B, Level 2, Los Angeles Convention Center
Chair: Wendy DesChene, Auburn University

WTF: It’s Only a Sticker
Catherine Tedford, St. Lawrence University

Strategies of Resistance in Contemporary Art
Selene Preciado, Museum of Latin American Art

Unauthorized Autonomy, Invisible Venue
Christian L. Frock, Invisible Venue

Monsantra: A New Agricultural Revolution
Jeff Schmuki, Plantbot Genetics

Your Art Here, Camp La Jolla Military Park, and Give Me My Data
Owen Mundy, Florida State University

I am tele-participating in a one-week online performance of Google queries at Transmediale 2012 in Berlin. The project, plainly titled, “Google,” is organized by Johannes P. Osterhoff and will run from Jan 30 to Feb 5, 2012. Each participant edits the search method for their browser search bar so that everything they type in this box, from the personal to the mundane, becomes instantly visible at google-performance.org.

The project (“manifesto” below) makes public what Facebook, Google, and any online search engine, crowdsourcing website, or social network already does by harvesting searches from users, and re-representing that data in a new context. While Google uses these queries to build and sell condensed user demographic data to advertisers, Osterhoff’s project asks, who actually owns your search data?

We shall do an one-week performance piece.

The piece is called “Google” and documents all searches we perform withthe search engine of the same name.

The performance shall take place during transmediale 2012 and shall start on Monday, January 30 and shall end on Sunday, February 5, 2012.

We shall not use undocumented ways to use the search engine Google during this time.

Each of our search queries shall create a web page that is indexed by this search engine and thus makes our searches publicly available as search results for everybody.

I’ve just returned from Linz, Austria, where I attended the art and technology festival/conference/exhibition called Art Meets Radical Openness (LiWoLi 2011). It is put on and hosted by Ushi Reiter and others of servus.at, and Martin Kaltenbrunner (creator of Reactable) and others at the Kunst Universität Linz.

While I was here I met a lot of friendly and engaging people, and saw some great works, talks, and performances. I also gave a paper about Give Me My Data, titled, “The Self-Indulgence of Closed Systems.” The presentation was about my current research into historic and contemporary modes of surveillance, ensuing privacy issues, and examples of resistance to these modes of data gathering. It was part the Naked on Pluto lecture series, organized by the cheery Marloes de Valk.

I also conducted a 2-day workshop, “Freedom for Our Files: Creative Reuse of Personal Data,” where I shared information and examples on how to go about data scraping and spidering, reuse and visualization, and using the Facebook API for all of the same, for creative or experimental purposes. I’ve posted some of the code and content from FFOF already.

One important motivation for my attendance was to meet programmers who might be interested in working with me on the more technical aspects of upgrading Give Me My Data to the new Facebook Graph API and finding a way around undocumented data limits imposed by Facebook that my users continue encountering.

Give Me My Data: A Short History

I thought I would give a little bit of a background here, about Give Me My Data, for those interested in its development and other related projects.

In 2008 I finished my Masters of Fine Arts at the University of California, San Diego with a thesis project titled Camp La Jolla Military Park. It was a fictional national park which documented the history and ongoing collaboration between the university with the defense industry. I created a custom content management system (PHP, MySQL, Google Maps API) and formed a group of collaborators to enter data in the system documenting relationships. The project exists now as a series of brochures and website which mimics the national park website and describes the research we conducted. I also gave tours of the “park” (campus) where technology was being developed for defense contractors and other sites with related interest.

The following year, while working during my first year as an assistant professor at Florida State University, I described and began developing aspects of a project I temporarily titled Automata. The project, which was a finalist in 2009 for the Rhizome Commission, proposed to use technology to visualize relationships in which there might exist ethical contradictions, but are difficult to discern for all the actors involved. An example of an ethical contradiction might be collaborations between the defense industry and educational institutions which encourage students to develop technology used to harm other human beings. I proposed to do this through various automated web spiders, semantic analysis, and finally visualizations and other interfaces to the data.

While working on Automata, which was named to reference the automation of the documentation Camp La Jolla performed, I was invited to MIT by Chris Csikszentmihályi, Research Scientist at the MediaLab and Director of Center for Future Civic Media at MIT, to discuss the project with members of his Center for Future Civic Media.

Later in 2009, while planning how I might visualize the network data from Automata, rather than creating the content from scratch I decided to use my Facebook contacts as a test subject. Since there was no application which exported data in various reusable formats, especially one which arranged the contacts into a format which described relationships, I created my own.

This application, live since October 2009, would soon became very popular in its own right. In late April 2010, Facebook made a change to the way they allowed users to present information about themselves. Previously entered user data was suddenly aggregated without permission in order to encourage strangers with common interests to form groups. This slight change in policy caused an uproar within the Facebook community because it attempted to force people together without regard to individual privacy.

Many Facebook users were originally attracted to the site because of its levels of privacy and therefore found this change to be manipulative and deeply disturbing. Further, users were no longer able to access or change this information because it had been incorporated into a larger structure. In their article, Facebook App Brings Back Data, May 1, 2010, The New York Times documented how my application allowed users to regain access to this and other information hidden behind the Facebook interface.

At this time, Facebook (still) did not feature a method to export your data for any purpose. In November 2010, likely influenced by Give Me My Data, Facebook finally added a way for users to export their profile data as a series of HTML pages. I believe their motivation originates in part with my application, and points to the effectiveness of such forms of public art / creative resistance to reach out beyond the art world and contribute to society in lasting ways.

What Now?

So in conclusion, I created Give Me My Data while working on projects related in concept and execution. While I have paused my work on Automata you can see some sitemap visualizations from the project in a series called Firing Blind.

As for the status of Give Me My Data, I developed it using the Facebook REST API, which will be deprecated soon. It uses both REST and FQL (Facebook Query Language) calls to help users access a variety of types and formats of their data. I’m working now to put the project on Github, thereby making the code open source, and also to invite others to help to upgrade the data retrieval method to the Facebook Graph API, and to improve existing code that reformats the data from JSON to XML, CSV, GraphML, Dot, and other popular data formats. Now that I have a handful of business cards and new acquaintances I’m looking forward to moving forward. Please get in touch if you are interested in contributing.

A two-day workshop, with both technical hands-on and idea-driven components. Learn to scrape data and reuse public and private information by writing custom code and using the Facebook API. Additionally, we’ll converse and conceptualize ideas to reclaim our data literally and also imagine what is possible with our data once it is ours!

Here are the slides and some of the code samples from the Freedom for Our Files (FFOF) workshop I just did in Linz at Art Meets Radical Openness (LiWoLi 2011).

The first one is a basic scraping demo that uses “find-replace” parsing to change specific words (I’m including examples below the code)

<?php

/*	Basic scraping demo with "find-replace" parsing
 *	Owen Mundy Copyright 2011 GNU/GPL */

$url = "http://www.bbc.co.uk/news/";	// 0. url to start with

$contents = file_get_contents($url);	// 1. get contents of page in a string

					// 2. search and replace contents
$contents = str_replace(		// str_replace(search, replace, string)
			"News",					
			"<b style='background:yellow; color:#000; padding:2px'>LIES</b>",
			$contents);

print $contents;			// 3. print result

?>

Basic scraping demo with “foreach” parsing

<?php

/*	Basic scraping demo with "foreach" parsing
 *	Owen Mundy Copyright 2011 GNU/GPL */
 
$url = "http://www.bbc.co.uk/news/";	// 0. url to start with

$lines = file($url);			// 1. get contents of url in an array

foreach ($lines as $line_num => $line) 	// 2. loop through each line in page
{		
					// 3. if opening string is found
	if(strpos($line, '<h2 class="top-story-header ">')) 	
	{
		$get_content = true;	// 4. we can start getting content
	}
	
	if($get_content == true)
	{
		$data .= $line . "\n";	// 5. then store content until closing string appears
	}

	if(strpos($line, "</h2>")) 	// 6. if closing HTML element found
	{
		$get_content = false;	// 7. stop getting content
	}
}

print $data;				// 8. print result

?>

Basic scraping demo with “regex” parsing

<?php

/*	Basic scraping demo with "regex" parsing
 *	Owen Mundy Copyright 2011 GNU/GPL */
 
$url = "http://www.bbc.co.uk/news/";		// 0. url to start with

$contents = file_get_contents($url);		// 1. get contents of url in a string
											
						// 2. match title
preg_match('/<title>(.*)<\/title>/i', $contents, $title);

print $title[1];				// 3. print result

?>

Basic scraping demo with “foreach” and “regex” parsing

<?php

/*	Basic scraping demo with "foreach" and "regex" parsing
 *	Owen Mundy Copyright 2011 GNU/GPL */

// url to start
$url = "http://www.bbc.co.uk/news/";

// get contents of url in an array
$lines = file($url);

// look for the string
foreach ($lines as $line_num => $line) 
{	
	// find opening string
	if(strpos($line, '<h2 class="top-story-header ">')) 
	{
		$get_content = true;
	}
	
	// if opening string is found 
	// then print content until closing string appears
	if($get_content == true) 
	{
		$data .= $line . "\n";
	}

	// closing string
	if(strpos($line, "</h2>")) 
	{
		$get_content = false;
	}
}

// use regular expressions to extract only what we need...

// png, jpg, or gif inside a src="..." or src='...' 
$pattern = "/src=[\"']?([^\"']?.*(png|jpg|gif))[\"']?/i";
preg_match_all($pattern, $data, $images);

// text from link
$pattern = "/(<a.*>)(\w.*)(<.*>)/ismU";
preg_match_all($pattern, $data, $text);

// link
$pattern = "/(href=[\"'])(.*?)([\"'])/i";
preg_match_all($pattern, $data, $link);

/* 
// test if you like
print "<pre>";
print_r($images);
print_r($text);
print_r($link);
print "</pre>";
*/

?>

<html>
<head>
<style> 
body { margin:0; } 
.textblock { position:absolute; top:600px; left:0px; }
span { font:5.0em/1.0em Arial, Helvetica, sans-serif; line-height:normal; 
background:url(trans.png); color:#fff; font-weight:bold; padding:5px } 
a { text-decoration:none; color:#900 }
</style>
</head>
<body>
<img src="<?php print $images[1][0] ?>" height="100%"> </div>
<div class="textblock"><span><a href="<?php print "http://www.bbc.co.uk".$link[2][0] ?>"><?php print $text[2][0] ?></a></span><br>
</div>
</body>
</html>

And the example, which presents the same information in a new way…

Advanced scraping demo with “regex” parsing. Retrieves current weather in any city and colors the background accordingly. The math below for normalization could use some work.

<?php

/*	Advanced scraping demo with "regex" parsing. Retrieves current 
 * 	weather in any city and colors the background accordingly. 
 *	The math below for normalization could use some work.
 *	Owen Mundy Copyright 2011 GNU/GPL */

?>

<html>
<head>
<style> 
body { margin:20; font:1.0em/1.4em Arial, Helvetica, sans-serif; } 
.text { font:10.0em/1.0em Arial, Helvetica, sans-serif; color:#000; font-weight:bold; } 
.navlist { list-style:none; margin:0; position:absolute; top:20px; left:200px }
.navlist li { float:left; margin-right:10px; }
</style>
</head>

<body onLoad="document.f.q.focus();">

<form method="GET" action="<?php print $_SERVER['PHP_SELF']; ?>" name="f">

	<input type="text" name="q" value="<?php print $_GET['q'] ?>" />
	<input type="submit" />

</form>

<ul class="navlist">
	<li><a href="?q=anchorage+alaska">anchorage</a></li>
	<li><a href="?q=toronto+canada">toronto</a></li>
	<li><a href="?q=new+york+ny">nyc</a></li>
	<li><a href="?q=london+uk">london</a></li>
	<li><a href="?q=houston+texas">houston</a></li>
	<li><a href="?q=linz+austria">linz</a></li>
	<li><a href="?q=rome+italy">rome</a></li>
	<li><a href="?q=cairo+egypt">cairo</a></li>
	<li><a href="?q=new+delhi+india">new delhi</a></li>
	<li><a href="?q=mars">mars</a></li>
</ul>

<?php

// make sure the form has been sent
if (isset($_GET['q']))
{
	// get contents of url in an array
	if ($str = file_get_contents('http://www.google.com/search?q=weather+in+'
						. str_replace(" ","+",$_GET['q'])))
	{
		
		// use regular expressions to extract only what we need...
		
		// 1, 2, or 3 digits followed by any version of the degree symbol 
		$pattern = "/[0-9]{1,3}[º°]C/";
		// match the pattern with a C or with an F
		if (preg_match_all($pattern, $str, $data) > 0)
		{
			$scale = "C";
		}
		else
		{
			$pattern = "/[0-9]{1,3}[º°]F/";
			if (preg_match_all($pattern, $str, $data) > 0)
			{
				$scale = "F";
			}
		}
		
		// remove html
		$temp_str = strip_tags($data[0][0]);
		// remove everything except numbers and points
		$temp = ereg_replace("[^0-9..]", "", $temp_str);
		
		if ($temp)
		{
			
			// what is the scale?
			if ($scale == "C"){
				// convert ºC to ºF
				$tempc = $temp;
				$tempf = ($temp*1.8)+32;
			}
			else if ($scale == "F")
			{
				// convert ºF to ºC
				$tempc = ($temp-32)/1.8;
				$tempf = $temp;
			}
			// normalize the number
			$color = round($tempf/140,1)*10;
			// cool -> warm
			// scale -20 to: 120
			$color_scale = array(
					'0,  0,255',
					'0,128,255',
					'0,255,255',
					'0,255,128',
					'0,255,0',
					'128,255,0',
					'255,255,0',
					'255,128,0',
					'255,  0,0'
					);	
		
?>

<style> body { background:rgb(<?php print $color_scale[$color] ?>) }</style>
<div class="text"><?php print round($tempc,1) ."&deg;C " ?></div>
<?php print round($tempf,1) ?>&deg;F

<?php
		
		}
		else 
		{
			print "city not found";	
		}
	}
}
?>

</body>
</html>

For an xpath tutorial check this page.

For the next part of the workshop we used Give Me My Data to export our information from Facebook in order to revisualize it with Nodebox 1.0, a Python IDE similar to Processing.org. Here’s an example:

Update: Some user images from the workshop. Thanks all who joined!

Mutual friends (using Give Me My Data and Graphviz) by Rob Canning

identi.ca network output (starting from my username (claude) with depth 5, rendered to svg with ‘sfdp’ from graphviz) by Claude Heiland-Allen

This weekend I am presenting a lecture about GIve Me My Data and conducting a two-day data-scraping workshop at Art Meets Radical Openness in Linz, Austria. Here are the details.

The Self-Indulgence of Closed Systems
May 13, 18:45 – 19:15
Part artist lecture, part historical context, Owen Mundy will discuss his Give Me My Data project within the contexts of the history of state surveillance apparatuses, digital media and dialogical art practices, and the ongoing contradiction of privacy and utility in new media.

Freedom for Our Files: Creative Reuse of Personal Data
May 13-14, 14:00 – 16:30
A two-day workshop, with both technical hands-on and idea-driven components. Learn to scrape data and reuse public and private information by writing custom code and using the Facebook API. Additionally, we’ll converse and conceptualize ideas to reclaim our data literally and also imagine what is possible with our data once it is ours! Register here

Art Meets Radical Openness (LiWoLi 2011),
Date: 12th – 14th May 2011
Location: Kunstuniversität Linz, Hauptplatz 8, 4020 Linz, Austria

Observing, comparing, reflecting, imitating, testing, combining

LiWoLi is an open lab and meeting spot for artists, developers and educators using and creating FLOSS (free/libre open source software) and Open Hardware in the artistic and cultural context. LiWoLi is all about sharing skills, code and knowledge within the public domain and discussing the challenges of open practice.

Art Meets Radical Openness (LiWoLi 2011)

Date: 12th – 14th May 2011
Location: Kunstuniversität Linz, Hauptplatz 8, 4020 Linz

Observing, comparing, reflecting, imitating, testing, combining

LiWoLi is an open lab and meeting spot for artists, developers and educators using and creating FLOSS (free/libre open source software) and Open Hardware in the artistic and cultural context. LiWoLi is all about sharing skills, code and knowledge within the public domain and discussing the challenges of open practice.

This year’s event offers an exhibition, artists’ workshops and – like every year – lectures, presentations and sound-performances.

with:
minipimer.tv (ES), Aileen Derieg (A), Martin Howse (UK/DE), Jorge Crowe (AR)pending), Malte Steiner(DE), Servando Barreiro (ES), Enrique Tomás(ES/A), Peter Bubestinger (A), Stefan Hageneder (A), Audrey Samson (CA/NL), Sabrina Baston (DE), Sebastian Pichelhofer (A), Barbara Huber (A), Max Nagele (A), Helen Varley Jamieson (NZ/DE), Adnan Hadzi (GB), André Carvalho Hostalácio (BR/DE), Claudia González Godoy (CL), Dominik Leitner (A), Rob Canning (IR/UK), Marloes de Valk (NL), Owen Mundy (US/DE), Dušan Barok (Sk), Nicolas Malevé (BE), Margaritha Köhl (A), Pippa Buchanan (AU/A), Birgit Bachler (A/NL),…

More information: http://liwoli.at/

DATAPOLIS
Exhibition of the 5th International Art | Science | Technology Biennale Prague ENTER

DATAPOLIS is a one evening and three days of full-size experiment in art and technology. The exhibition addresses interactions of media technologies, novel visualization practices and urban realities. Exhibiting artists from all over the world discover moods and rhythms of our cities, bodies and planet. They innovatively mash both visible and invisible data that re-present individual and collective lives and actions. Keywords: data, city, communities, mapping, social, geographical, economical, political, sentient, ambient, mobile, ubiquitous, embedded intelligence, architecture, fashion, quantified selves, body & environment monitoring, robotic systems, trash, transport, pollution, open innovation & design.

Exhibition Opening: Thursday, April 14, 2011, 18:00
Exhibition dates: April 15 – April 17, 2011 (Limited version of the exhibition will run until Sunday, April 24, 2011)
Location: National Technical Library (NTK)
Address: Technická 6,160 80 Praha 6 – Dejvice, http://www.techlib.cz/

Curatorr: Pavel Sedlák (CZ)
Co-curator: Andrej Boleslavský (SK/CZ)

ENTER website: http://festival-enter.cz/

Artists in the exhibition:

Alessandro Ludovico, Paolo Cirio (IT): Face to Facebook
Mark Shepard (USA): Sentient City Survival Kit
Mark Shepard (USA): Serendipitor
Varvara Guljajeva (EST) & Mar Canet(ES): The Rhythm Of The City
James George(US), Alexander Porter(US): DepthEditorDebug
Eric Conrad (USA): Palbable City
Eric Conrad (USA): Bark Rubbings
Teresa Almeida (PT/SG): Modes for Urban Moods: Space Dress
Jenny Chowdhury (USA): 802.11 Apparel – Wifi Jacket
MIT SENSEable City Lab (USA): Trash Track
Secret Cooks Club (SG): FoodMatch
Dušan Barok (SK/NL): FaceLeaks
Owen Mundy (USA/DE): Give Me My Data
Jaro Dufek (CZ): Reality Ends Here
Aram Bartholl (DE) & Ivan Floreš (CZ): Dead Drops
Niki Passath (AT): Zoe
Dardex Mort2Faim (FR): Machine 2 Fish
Saša Spačal (SLO): 7K: New Life Form
Marie Polakova (CZ) & Jonathan Cremieux (FI/FR): Mimodek
Scott Hessels (USA/HK) & Gabriel Dunne (USA): Celestial Mechanics
Pedro Cruz (PT): The Morphing City

Giving a talk today in Dresden, Germany titled, “Give Me My Data: A Facebook Application Inspired by the Stasi Files Controversy.” Here is the abstract.

During the final days of the German Democratic Republic (or GDR) it became evident that the Ministry for State Security (more popularly known as the “Stasi”) was destroying incriminating evidence from its 40-year history of domestic and international surveillance. These documents, which the Stasi was attempting to destroy using shredding machines, as well as by hand when the machines failed, included information gathered through various clandestine methods about lives of citizens of the GDR without their knowledge or consent.

On January 15, 1990, protestors stormed the Stasi headquarters in Berlin in attempt to prevent the destruction of personal records which they felt they should be able to access. The phrase, “Freiheit für meine Akte!” (in English: Freedom for my file!) spray painted on the Stasi guardhouse during this protest embodies a desire by citizens to open this closed world of state surveillance in order to understand the methods of control employed the Stasi

This moment in history inspires my ongoing project, Give Me My Data, a Facebook application that helps users export their data out of Facebook. While clearly utilitarian, this project intervenes into online user experiences, provoking users to take a critical look at their interactions within social networking websites. It suggests data is tangible and challenges users to think about ways in which their information is used for purposes outside of their control by government or corporate entities.

At the height of its operations, the Stasi is believed to have hired, between spies and full- and part-time informants, one in every 6.5 East German citizens to report suspicious activities, almost 2.5 million people.1 At this moment, the ratio of people entering data on Facebook to non-members is one in fourteen for the entire world,2 introducing possibly the most effective surveillance machine in history.

I found a great (re)use for leftover conference catalogs.

Exchange! Congress Berlin
20 October 2010, Berlin

10:00 PECHA KUCHA BRUNCH with Wolfgang Krause (art boys, Berlin), Joelle Dietrick & Owen Mundy (Florida, USA), Lilia Dragneva (KSA:K, Chisinau, Moldova), Solvita Krese (LCCA, Riga, Latvia), Barbara J. Scheuermann (Babusch, Berlin), Louise Taylor (UK), Andrew Stooke (Oliver Holt Gallery, UK), Jörn J. Burmester (Performer Stammtisch, Berlin), Club Real (Berlin).

14:00 VIDEO SCREENING (Highlights from Attitude Festival Bitola, Macedonia)

14:30 PERFORMANCES (Liverpool Performance Artist and Drag-”Queen of Culture” Mandy Romero, Sound Artist Alex Decoupigny, Performance Artist Dovrat ana Meron)

15:00 ROUND TABLE TALK with Artists and Exchange Radical Moments! Co-organizers

16:00 TEA TABLE TALKS, an encounter scenario with 12 tables and 24 chairs. Come, sit down and talk to artists, curators and organizers.

Free entry! We ask for registration. Please send email with name and subject “Exchange! Congress”

RSVP on Facebook

19:00 – 22:00 PMC EXPERIMENT: Performance Art Meets Constellation Work (this is with invitation only!)

Location:
GLS Campus Berlin
Sprachschule, AULA
Kastanienallee 82, D -10435 Berlin

Facebook’s “Privacy Settings” always seem to be a work in progress. One thing they do consistently is default to less privacy overall, thus more sharing of your information on their site. For a website that depends on user-generated content the motivation to encourage sharing is clear enough. Still, why do they use the word “privacy” if they’re not actually embracing the idea?

For example, a recent update introduces a table with degrees of privacy from less to more (left to right). Types of data are listed in rows, while access is shown in the columns, with Everyone to Friends Only, again left to right.

Curious about what Facebook “Recommended” settings were, I clicked and am sharing the screenshot below. I am not surprised to see that they wish me to open-up all content I generate; status messages, posts, images, etc. and discourage allowing anyone I don’t know to comment on posts (probably as spam prevention).

I have been thinking about privacy quite a bit this week, developing ideas for what next to do with Give Me My Data, and providing an interview about social media for Naked on Pluto (along with the likes of Marc Garrett and Geert Lovink). Plus I went to see the “geek hero story” The Social Network at the Babylon Cinema last night.

Anyway, after all this thinking about Facebook’s past, I’m curious about its future, and how it will continue to try to hold on to the #1 social networking website position that Friendster and MySpace lost so quickly. The API, games, etc could be expected, but the Facebook Connect tools that are so prevalent now, even on Yelp, a site I figured could make it without schlepping, were a surprise.

Facebook Connect, a jquery “widget” that allows you to login to other websites using your Facebook ID, is clever and eerie at once. It allows Facebook to track you when you are not even on their site, and make sure you stay loyal. If that sounds sinister, well it is. What other purpose could there be for making available a service with the single purpose of mediating every interaction or bit of content you add to the web? It seems at first like OpenID, and it is, except that its run by a multi-billion dollar social media corporation.

ISEA2010 RUHR Conference in Dortmund, Germany

P26 Public Interventions
Tue 24 August 2010
15:00–16:30h
Volkshochschule Dortmund, S 137a
Moderated by Georg Dietzler (de)

• 15:00h | Owen Mundy (us): Automata: Counter-Surveillance in Public Space
• 15:20h | Christoph Brunner (ch/ca), Jonas Fritsch (dk): Balloons, Sweat and Technologies. Urban Interventions through Ephemeral Architectures
• 15:40h | Georg Klein (de): Don’t Call It Art! On Artistic Strategies and Political Implications of Media Art in Public Space
• 16:00h | Georg Dietzler (de): Radical Ecological Art and No Greenwash Exhibitions

About my talk:

Automata is the working title for a counter-surveillance internet bot that will record and display the mutually-beneficial interrelationships between institutions for higher learning, the global defense industry, and world militaries. Give Me My Data is a Facbook application that help users reclaim and reuse their Facebook data. The two projects, both ongoing, address important issues surounding contemporary forms of communication, surveillance, and control.

Howdy, it’s been awhile since I last shared news about recent and ongoing projects. Here goes.

1. You Never Close Your Eyes Anymore

You Never Close Your Eyes Anymore is an installation that projects moving US Geological Survey (USGS) satellite images using handmade kinetic projection devices.

Each device hangs from the ceiling and uses electronic components to rotate strips of satellite images on transparency in front of an LED light source. They are constructed with found materials like camera lenses and consumer by-products and mimic remote sensing devices, bomb sights, and cameras in Unmanned Aerial Vehicles.

The installation includes altered images from various forms of lens-based analysis on a micro and macro scale; land masses, ice sheets, and images of retinas, printed on reflective silver film.

On display now until July 31 at AC Institute 547 W. 27th St, 5th Floor
Hours: Wed., Fri. & Sat.: 1-6pm, Thurs.: 1-8pm

New video by Asa Gauen and images
http://owenmundy.com/site/close_your_eyes

2. Images and video documentation of You Never Close Your Eyes Anymore will also be included in an upcoming Routledge publication and website:

Reframing Photography: Theory and Practice
by Rebekah Modrak, Bill Anthes
ISBN: 978-0-415-77920-3
Publish Date: November 16th 2010
http://www.routledge.com/books/details/9780415779203/

3. Give Me My Data launch

Give Me My Data is a Facebook application designed to give users the ability to export their data out of Facebook for any purpose they see fit. This could include making artwork, archiving and deleting your account, or circumventing the interface Facebook provides. Data can be exported in CSV, XML, and other common formats. Give Me My Data is currently in public-beta.

Website
http://givememydata.com/

Facebook application
http://apps.facebook.com/give_me_my_data/

4. Give Me My Data was also covered recently by the New York Times, BBC, TechCrunch, and others:

Facebook App Brings Back Data by Riva Richmond, New York Times, May 1, 2010
http://gadgetwise.blogs.nytimes.com/2010/05/01/facebook-app-brings-back-data/

5. yourarthere.net launch

A major server and website upgrade to the yourarthere.net web-hosting co-op for artists and creatives. The new site allows members of the community to create profiles and post images, tags, biography, and events. In addition to the community aspect, yourarthere.net is still the best deal going for hosting your artist website.

Website
http://yourarthere.net

More images
http://owenmundy.com/site/design_yourarthere_net

6. The Americans

The Americans is currently on view at the Northwest Florida State College in Niceville, FL. It features a new work with the same title.

More images
http://owenmundy.com/site/the-americans

7. Your Art Here billboard hanger

I recently designed a new billboard hanging device and installed it in downtown Bloomington, IN with the help of my brother Reed, and wife Joelle Dietrick.

Stay tuned here for news about Your Art Here and the new billboard by Joelle Dietrick.
http://www.facebook.com/pages/Your-Art-Here/112561318756736

8. Finally, moving to Berlin for a year on a DAAD fellowship to work on some ongoing projects, including Automata.

More images
https://owenmundy.com/blog/2010/07/new-automata-sitemaps/

I’ll be giving a paper about Automata at the upcoming ISEA2010 conference in Ruhr, Germany.
http://www.isea2010ruhr.org/conference/tuesday-24-august-2010-dortmund

Many thanks to Chris Csikszentmihályi, Director of the Center for Future Civic Media http://civic.mit.edu/ , for inviting me to the MIT Media Lab last August to discuss the project with his Computing Culture Group: http://compcult.wordpress.com/

Saturday, August 29, 2009, I will be talking about Keyword Intervention in a paper titled, “Intervention and the Internet: New Forms of Public Practice” at ISEA2009: the 15th International Symposium on Electronic Art in Belfast, Ireland.

Full program
http://www.isea2009.org/images/programme15july.pdf

On Monday, January 19, Joelle and I are giving a presentation titled, “The Darkest Hour is Just Before Dawn: Research and Optimism in Community-Based Art,” to Florida State University’s ART&DESIGN for Social Justice Symposium.

http://interiordesign.fsu.edu/symposium/

The ART&DESIGN for Social Justice Symposium focuses on how the tools and inherent abilities within the areas of art and design can be utilized in addressing issues confronting less advantaged groups within our local communities, states, regions or world. The event is designed to generate synergy, spawn collaborative projects among participants, create new scholarly initiatives, and allow examination of the role that art and design plays in the telling of a broader social narrative.

2009 Art and Design for Social Justice Symposium
Florida State University
Location: HCB, “The New Classroom Building”

8:00-8:30 Late Registration, Coffee and Pastries

8:30-8:45 Welcome, Eric Wiedegreen, Dean Sally McRorie, Dave Gussak,
Room 103

8:45-9:30 Eve Blossom, Keynote Speaker, Room 103

9:45-10:15 Presentation, Room 205
“Close to Home: Studying Art and Your Community”
Pat Villeneuve & Donald Sheppard, Florida State University

Presentation, Room 210
“Separating Desire from Desperation: Parallel Existences in Sao Paulo,
Brazil”
Hannah Mendoza & Matthew Dudzik, Savannah College of Art and Design

Film, Room 213
“Pillars of Justice: An examination of courthouses and their role the
search for justice.”
Brenda Waugh & Paulette Moore, Center for Justice and Peace at Eastern
Mennonite University

10:25-10:55 Presentation, Room 205
“Art Therapy as Part of a Multidisciplinary Team: Developing an Arts in
Corrections Program”
Caroline Cook, Florida State University

Presentation, Room 210
“From Sheltered Students to Sheltering Others”
Patrick Lee Lucas & Suzanne Cabrera, The University of North Carolina-
Greensboro

11:05-11:35 Presentation, Room 205
“Art and Place Relationship: Evaluating Sense of Place in a Community
Based Public Art Installation”
Marlo Ransdell, Florida State University

Presentation, Room 210
“i+TiBET: A Community Effort to Preserve Tibetan Culture-in-Exile”
Angela Tank & Carrie Ann Christensen, University of Minnesota-Twin
Cities

11:45-12:15 Presentation, Room 205
“The Darkest Hour is Just Before Dawn: Research and Optimism in
Community-Based Art”
Owen Mundy & Joelle Dietrick, Florida State University

Presentation, Room 210
“Incorporating Civic and Social Responsibility into Design Curriculum”
Jillissa Moorman, University of Northern Iowa

12:15- 1:30 Lunch (with Music by Charles Atkins)

1:40- 2:10 Presentation, Room 205
“Integrating Social Justice in the Thesis”
Alison Keohane, Jessica Menrath, Cheryl Watson, Hannah Mendoza,
Savannah College of Art and Design

Presentation, Room 210
“Research to Application: How an Innovative Arts in Corrections Program
Was Developed”
Dave Gussak, Florida State University

2:20-2:50 Presentation, Room 205
“The Cradle of Hope: One Year Later”
Jill Pable, Rachelle McClure, Sean Coyne, Florida State University

Presentation, Room 210
“A Place of Their Own: Shaping Behavior Through Design in an Arts-
Based Community Center”
Tracie Kelly, Florida State University

3:00- 3:45 Endnote Speaker, Joan Frosch

3:45- 4:00 Closing Remarks

I’m presenting a session at the Allied Media Conference,June 9-11, 2006,called, Introduction to Web Publishing, in Bowling Green, OH.