There is much interest in my project here at the Coleman Center. People stop by every hour with photographs and stories of their past experiences and motivations for joining the service. To My Dearest and Beloved Family, Aubrey, England, May 3, 1945 On Monday I worked with the Art Club, showing them how to use […]
Read More… from Coleman Center residency progress Tues Jan 29
I’m writing from the Coleman Center for the Arts in York, Alabama, where I’m currently an Artist in Residence. While here I intend to keep this site updated with news and progress from the projects I’m working on. Below is a “seal” that accompanies the project as well as a letter to the community which […]
The Washington Post recently published a review recently about my and Joelle’s exhibition at Flashpoint Gallery in D.C. Check it out: Joelle Dietrick & Owen Mundy: Grid, Sequence Me, by Maura Judkis, Jan 11, 2013. A few elements will be recognizable, such as the brutalist outline of the J. Edgar Hoover FBI Building, but many […]
Read More… from Washington Post review of “Grid, Sequence Me” show + documentation
I’ve been trying to find a dependable method for exporting HD video from Processing sketches that contain dynamic data and movement as well as complex 3-dimensional shapes rendered using OpenGL. QuickTime’s screen recording option hogs memory and causes frames to skip, as does does ScreenFlow, my usual go-to for screen recording. The best way I have […]
Read More… from Use Processing and FFmpeg to export HD video
Enjoying all the screenshots of glitches that appeared as I was testing the visualization for the Flashpoint show in D.C. Here is a sample. […]
Read More… from Processing / OpenGL glitches from recent projects
Surrounded by images of cross-sectioned buildings and source code excerpts, gallery visitors encounter fragments of Washington, DC architecture—a vaguely familiar roofline or grid of office windows—remixed with data and source code representing the latest housing sales in the area. Constantly changing, the live data streams into the gallery from both local sources (DC short sale […]
Read More… from Grid, Sequence Me @ Flashpoint Gallery, Washington D.C.
Catching up on some documentation from recent shows. Below are images from the Packet Switching exhibition at the Center for Emerging Media, University of Central Florida, October 2012. […]
Read More… from Packet Switching exhibition, Center for Emerging Media @ UCF
I am an “attractor” for a stream of interest at a conference that is happening this weekend in Prague. There are thought-provoking presentations lined-up. Check it out if you are nearby. Examining Networks of Power Attractor: Owen Mundy (US) Addressing the Future: The Tactics of Uncertainty Attractor: Claudia Westermann (AT) MutaMorphosis: Tribute To Uncertainty Saturday, […]
Read More… from MutaMorphosis: Examining Networks of Power stream today
CulturalDC Presents Joelle Dietrick & Owen Mundy: Grid, Sequence Me Flashpoint Gallery 916 G Street, NW, Washington, DC 20001 01.05.13 – 02.02.13 Opening: 01.05.13, SAT, 6 – 8pm WASHINGTON, DC – Florida-based art team Joelle Dietrick and Owen Mundy will transform Flashpoint Gallery with an installation of projected animations called Grid, Sequence Me, opening on […]
Read More… from CulturalDC Presents: Joelle Dietrick & Owen Mundy: Grid, Sequence Me
Joelle and have completed our Packet Switching (Weimer Hall) commission in the College of Journalism and Communications at the University of Florida. Read about the process for this project here. Packet Switching (Weimer Hall), (detail) College of Journalism and Communications, University of Florida, inkjet on polyester on panel, 177.5 ft. x 20.21 ft., 2012; Photograph […]