image: L-R: Owen Mundy, visual reference material (grid); gingko branches outside CCS/Hessel Museum; Owen Mundy, (detail) I Am Unable to Fulfill Your Wish: User-100001530701910 Owen Mundy Deborah Stratman Brad Troemel & Jon Vingiano Commodify, Inc. Curated by Sarah Higgins Hessel Museum of Art Annandale-on-Hudson, NY, USA March 24–May 26, 2013 Exhibition Webpage: CCS Bard e-flux announcement […]
I’m leaving soon to install a new show at the Herron School of Art and Design, Indiana University/Purdue University Indianapolis (IUPUI). The exhibition contains lots of new works, many created in collaboration with other artists and collectives. Ryan Boatright, Joelle Dietrick, The Periscope Project, and Commodify, Inc. (Tim Schwartz, Walter Langelaar, Birgit Bachler). Here’s the PR […]
Read More… from Packet Switcher @ Herron School of Art and Design, IUPUI
Weather permitting, I’ll be in New York this week to attend the College Art Association conference and present on the Military and the Landscape panel on Saturday, Feb 16. Top Gun-Behind The Scenes (2001) Military and the Landscape: Revealing and Reflecting Saturday, February 16, 9:30 AM-12:00 PM Madison Suite, 2nd Floor Chair: Ruth A. Dusseault, […]
Read More… from Military and the Landscape: Revealing and Reflecting panel at CAA 2013 NYC
For this project I returned to the Coleman Center for the Arts in York, Alabama, to create a new work in collaboration with the community there. During the residency, six years after my first, I invited people to bring pictures of service members, veterans or those depicted in uniform, images of themselves or people whom […]
Read More… from To My Dearest and Beloved Family documentation
There is much interest in my project here at the Coleman Center. People stop by every hour with photographs and stories of their past experiences and motivations for joining the service. To My Dearest and Beloved Family, Aubrey, England, May 3, 1945 On Monday I worked with the Art Club, showing them how to use […]
Read More… from Coleman Center residency progress Tues Jan 29
I’m writing from the Coleman Center for the Arts in York, Alabama, where I’m currently an Artist in Residence. While here I intend to keep this site updated with news and progress from the projects I’m working on. Below is a “seal” that accompanies the project as well as a letter to the community which […]
The Washington Post recently published a review recently about my and Joelle’s exhibition at Flashpoint Gallery in D.C. Check it out: Joelle Dietrick & Owen Mundy: Grid, Sequence Me, by Maura Judkis, Jan 11, 2013. A few elements will be recognizable, such as the brutalist outline of the J. Edgar Hoover FBI Building, but many […]
Read More… from Washington Post review of “Grid, Sequence Me” show + documentation
I’ve been trying to find a dependable method for exporting HD video from Processing sketches that contain dynamic data and movement as well as complex 3-dimensional shapes rendered using OpenGL. QuickTime’s screen recording option hogs memory and causes frames to skip, as does does ScreenFlow, my usual go-to for screen recording. The best way I have […]
Read More… from Use Processing and FFmpeg to export HD video
Enjoying all the screenshots of glitches that appeared as I was testing the visualization for the Flashpoint show in D.C. Here is a sample. […]
Read More… from Processing / OpenGL glitches from recent projects
Surrounded by images of cross-sectioned buildings and source code excerpts, gallery visitors encounter fragments of Washington, DC architecture—a vaguely familiar roofline or grid of office windows—remixed with data and source code representing the latest housing sales in the area. Constantly changing, the live data streams into the gallery from both local sources (DC short sale […]
Read More… from Grid, Sequence Me @ Flashpoint Gallery, Washington D.C.