Terms & Conditions of Use, curated by Sarah Higgins and part of the larger Less Like an Object More Like The Weather Graduate Thesis Exhibition at the Center for Curatorial Studies, Bard College/Hessel Museum, closes this Sunday. Here are some images and a video from two of the three commissioned works for the exhibition. Commodify.us […]
Some images from the exhibition… Through A Glass Darkly: Epilogue (7:30), Single-channel video, 2011 (left) and Through A Glass Darkly (12:08), Single-channel video, 2008 (right) Through A Glass Darkly: Epilogue (7:30), Single-channel video, 2011 (left) and Through A Glass Darkly (12:08), Single-channel video, 2008 (right) Commodify.us Ticker (with Commodify, Inc.), Live data stream, 2012-13 I […]
Read More… from Packet Switcher @ Herron School of Art and Design (documentation)
In-progress shots from A Network Has No Center (2013) commissioned by Sarah Higgins for the exhibition “Terms & Conditions of Use”, at the Center for Curatorial Studies Bard / Hessel Museum. […]
image: L-R: Owen Mundy, visual reference material (grid); gingko branches outside CCS/Hessel Museum; Owen Mundy, (detail) I Am Unable to Fulfill Your Wish: User-100001530701910 Owen Mundy Deborah Stratman Brad Troemel & Jon Vingiano Commodify, Inc. Curated by Sarah Higgins Hessel Museum of Art Annandale-on-Hudson, NY, USA March 24–May 26, 2013 Exhibition Webpage: CCS Bard e-flux announcement […]
I’m leaving soon to install a new show at the Herron School of Art and Design, Indiana University/Purdue University Indianapolis (IUPUI). The exhibition contains lots of new works, many created in collaboration with other artists and collectives. Ryan Boatright, Joelle Dietrick, The Periscope Project, and Commodify, Inc. (Tim Schwartz, Walter Langelaar, Birgit Bachler). Here’s the PR […]
Read More… from Packet Switcher @ Herron School of Art and Design, IUPUI
Weather permitting, I’ll be in New York this week to attend the College Art Association conference and present on the Military and the Landscape panel on Saturday, Feb 16. Top Gun-Behind The Scenes (2001) Military and the Landscape: Revealing and Reflecting Saturday, February 16, 9:30 AM-12:00 PM Madison Suite, 2nd Floor Chair: Ruth A. Dusseault, […]
Read More… from Military and the Landscape: Revealing and Reflecting panel at CAA 2013 NYC
For this project I returned to the Coleman Center for the Arts in York, Alabama, to create a new work in collaboration with the community there. During the residency, six years after my first, I invited people to bring pictures of service members, veterans or those depicted in uniform, images of themselves or people whom […]
Read More… from To My Dearest and Beloved Family documentation
There is much interest in my project here at the Coleman Center. People stop by every hour with photographs and stories of their past experiences and motivations for joining the service. To My Dearest and Beloved Family, Aubrey, England, May 3, 1945 On Monday I worked with the Art Club, showing them how to use […]
Read More… from Coleman Center residency progress Tues Jan 29
I’m writing from the Coleman Center for the Arts in York, Alabama, where I’m currently an Artist in Residence. While here I intend to keep this site updated with news and progress from the projects I’m working on. Below is a “seal” that accompanies the project as well as a letter to the community which […]
The Washington Post recently published a review recently about my and Joelle’s exhibition at Flashpoint Gallery in D.C. Check it out: Joelle Dietrick & Owen Mundy: Grid, Sequence Me, by Maura Judkis, Jan 11, 2013. A few elements will be recognizable, such as the brutalist outline of the J. Edgar Hoover FBI Building, but many […]
Read More… from Washington Post review of “Grid, Sequence Me” show + documentation
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